Boston, MA. October 17, 1973 aka-Call It What It Is
FM Source @ 256
The band played 2 sets, I have never seen a complete recording of both sets.
Second Set 1. Ife 34:05 2. Agharta Prelude 13:16 3. Zimbabwe 11:21
Miles Davis (tpt, org); Dave Liebman (ss, ts,
fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b);
Al Foster (d); James Mtume Forman (cga, perc)
The date of this music is uncertain. The Davis Septet was booked for several nights at Paul's Mall in mid-October 1973. One set from October 17 has been issued on JMY ME-6403. My guess is that these sets took place before the October 17 date but after the recording sessions for Liebman's Lookout Farm, which took place at Generation Sound Studios in New York on October 10-11.
Although these shows have circulated for years with the venue as the Jazz Workshop, according to Jim Rose, a member of the Davis entourage from 1972 on, the venue was Paul's Mall. http://www.plosin.com/MilesAhead
Reigning from Southern California, Robert Jon & The Wreck take the Southern rock sound from the East Coast and make it their own. Since their inception in 2011, these native Californians—Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), Warren Murrel (bass), and Jake Abernathie (keyboards)—have been electrifying audiences all over the world with their soaring guitar leads, rich vocal harmonies, and unforgettable songs. Simply put, it is impossible to ignore when these talented musicians take the stage.
Devotion is a hard driving, spaced-out, distorted
hard-jazz-rock album featuring organist Larry Young, drummer Buddy
Miles, and the little known bassist Billy Rich. This album was recorded
close to the period when McLaughlin had been jamming with Jimi Hendrix,
Young, Miles and Dave Holland. Terrible bootlegs exist of some of their
jams, but bad sound quality and McLaughlin's guitar on the fritz make
the bootlegs a ripoff. Devotion was also sort of a
ripoff. To this day, McLaughlin is angry about the way former Hendrix
producer Alan Douglas mixed this record. Apparently, Douglas spliced
bits of music together here and there that were not supposed to be
connected. Despite this obvious problem, and the fact Douglas paid
McLaughlin only $2,000 to record both Devotion and My Goal’s Beyond , this album is chock full of wonderfully ominous riffs and sounds. Devotion is an overlooked landmark album. ~Walter Kolosky - All About Jazz
Track List:
1. Marbles (4:05) 2. Siren (5:55) 3. Don't Let the Dragon Eat Your Mother (5:18) 4. Purpose of When (4:42) 5. Dragon Song (4:13) 6. Devotion (11:25)
8. New Walkin' Blues - Butterfield's Better Days 04:45
9. Small Town Talk - Butterfield's Better Days 05:44
10. Buried Alive In The Blues - Butterfield's Better Days 03:49
11. Broke My Babys Heart - Butterfield's Better Days 06:57
12. Highway 28 - Butterfield's Better Days 04:42
13. He's Got All The Whiskey - Butterfield's Better Days 09:23
Live in-studio performance by Bonnie Raitt and Paul Butterfield's Better Days at KMET-FM Studio in Los Angeles, CA on 5/27/1973. BONNIE RAITT SET: Bonnie Raitt - Vocals, Acoustic Guitar; Freebo - Fender Fretless Bass; Bill Payne - Piano; Chris Parker - Drums; Paul Butterfield - Harmonica on tracks 1 & 2; BETTER DAYS SET: Paul Butterfield - Vocals, Harmonica, Keyboards; Geoff Muldaur - Vocals, Guitar, Keyboards; Amos Garrett - Electric Guitar, Vocals; Ronnie Barron - Vocals, Piano, Organ; Billy Rich - Bass; Chris Parker - Drums; Bonnie Raitt - Additional Vocals on Better Days track 11.
Miles Davis - trumpet, keyboards
Kenny Garrett - alto sax, flute
Joseph "Foley" McCreary - lead bass
Benjamin Rietveld - bass
Bobby Irving - keyboards
Adam Holzman - keyboards
Marilyn Mazur - percussion
Ricky Wellman - drums
1 Turn of the Century (M. Davis) Feb 27, 1975 15:34 2 Latin (M. Davis) [takes 3/4] May 5, 1975 4:47 3 Latin (M. Davis) (take 6) May 5, 1975 4:41 4 Latin (M. Davis) (take 6, different mix) May 5, 1975 4:15 5 Song of Landa (S. Morrison-M. Davis) (take 2) Mar 30, 1976 4:05 6 Song of Landa (S. Morrison-M. Davis) (take 6) Mar 30, 1976 4:48 7 TDK Funk (M. Davis) (Untitled original E) Dec 27, 1976 5:01
February 27, 1975 Columbia Studio, New York Miles Davis Septet Miles Davis (tpt, org); Sonny Fortune (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
May 5, 1975 Columbia Studio, New York Miles Davis Septet Miles Davis (tpt, org); Sam Morrison (ts); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
March 30, 1976 Columbia Studio, New York Miles Davis Studio Group Miles Davis (org); Sam Morrison (ss, as, fl); Mark Johnson (el-p); Pete Cosey (g, perc); Michael Henderson (el-b); Al Foster (d)
December 27, 1976 Unknown studio, New York Miles Davis Studio Group Miles Davis (org); Pete Cosey (g, perc); Michael Henderson (el-b); Al Foster (d)
Velez Sarsfield Stadium , Buenos Aires , Argentina , October 30th , 1992
Soundboard recording
The story behind this show is that the crowd was rude to "Calamity Jane," the bands guest opening act. The crowd had thrown rocks and bottles forcing "Calamity Jane" to leave the stage. The show started with a long feedback session (not available on any disc). The band screws up many of songs on purpose, including stopping "Smells Like Teen Spirit", 20 seconds into the song and refusing to play it the rest of the night to punish the crowd. Kurt is pissed, and dictates the direction of the show on a whim (he didn't use a standard set list). He screws around with the opening chords to let Dave and Krist know what he wants to play next... including a rare performance of Beeswax. Kurt sings the first verse of "Come As You Are" with hey,hey, hey,hey.. (a hey for every syllable). Dave and Krist get into the action also... Dave plays cymbals jokingly during Polly, and chants "A, E, O" over and over during his and Krist's solo. The entire bass solo is a joke, and the poor Argentinean audience doesn't sound like they know the band is playing with them. The sound is excellent and the show is one that you'll want listen to over and over again. Every collector needs to get a copy of this.
This recording was originally broadcast on WIOQ-FM in Philadelphia, and
marks the band's first U.S. radio concert as well as one of their
earliest stateside appearances.
Set List: 01 This Is Massive 02 When You Come 03 Mean To Me 04 World Where You Live 05 That's What I Call Love 06 One Step Ahead 07 Jamaica Farewell 08 Recurring Dream 09 Something So Strong 10 Love You Til The Day I Die 11 Hole In The River 12 Don't Dream It's Over 13 Now We're Getting Somewhere 14 Throw Your Arms Around Me 15 Better Be Home Soon 16 Announcement 17 Happy Birthday Mitch 18 I Got You 19 Sister Madly 20 Not Fade Away
Pink Floyd - Piazza San Marco Venice, Italy July 15, 1989 Soundboard/Liberated Bootleg @flac
Pink Floyd 1989: David Gilmour - Lead Vocals & Guitar Richard Wright - Keyboards, Harmonies & Backing Vocals Nick Mason - Drums & Percussion Touring Band Members: Jon Carin – Keyboards, Sound Effects, Vocals, Additional Percussion Scott Page – Saxophones, Oboe, Additional Guitars Guy Pratt – Bass Guitar, Vocals Tim Renwick – Guitars, Backing Vocals Gary Wallis – Percussion, Additional Keyboards Rachel Fury – Backing Vocals Durga Mcbroom – Backing Vocals Lorelei Mcbroom – Backing Vocals
Pink Floyd live at Piazza San Marco on the Grand Canal in Venice, Italy on 7/15/1989. This event was dubbed "A Concert for Europe", and was broadcast on RAI FM and TV in Italy and other European countries. This recording is from a German FM radio rebroadcast of this concert, with the intro and fireworks at the end added from the Italian TV broadcast.
***
This free and historic concert, which took place during Pink Floyd's A Momentary Lapse of Reason tour, was staged on a floating barge on the Grand Canal in Venice, Italy, during the traditional Festa del Redentore.
After the concerts at Arena of Verona, Monza, Livorno, and Cava de' Tirreni in May 1989, the Venetian producer Francesco 'Fran' Tomasi proposed that Pink Floyd close their tour in Italy with a free concert in his city on the night of 15 July 1989, during the traditional Festa del Redentore.
Initially it was planned to set up the stage, twenty-four metres high, on the extreme tip of the island of Giudecca, but due to space availability issue it was decided to use some large rafts moored in the middle of San Marco basin, in front of the Doge's Palace.
Counted among the most extraordinary and controversial rock concerts ever held in Italy, it took place on 15 July 1989 on the traditional Redeemer Festival (Festa del Redentore) in the presence of some 200,000 spectators positioned on the banks and boats of the St. Mark's basin. It was broadcast by RAI worldwide with an audience of about 100 million viewers.
The cost of the event was financed with one billion Italian lire by RAI, who broadcast the concert worldwide and simultaneously in the two Germanies; the rest of the expenses (several hundred millions lire) were covered by Pink Floyd themselves. It is estimated that worldwide, the concert was watched by 100 million spectators, 27 million of them in the United States (where the event was broadcast on cable for the price of ten dollars). In Italy, the concert was seen by over 3.5 million viewers, with an audience share of 30%. ~Wiki
David Bowie - Point Depot Dublin, Ireland 1995-11-24 Soundboard @flac
CD1: 01 The Motel 02 Look Back In Anger 03 The Heart's Filthy Lesson 04 Scary Monsters 05 The Voyeur of Utter Destruction (As Beauty) 06 I Have Not Been to Oxford Town 07 Outside 08 Andy Warhol 09 The Man Who Sold the World 10 A Small Plot of Land 11 Boys Keep Swinging 12 Strangers When We Meet 13 Jump They Say 14 Hallo Spaceboy
CD2: 01 We Prick You 02 Band Introductions 03 Nite Flights 04 My Death 05 DJ 06 Teenage Wildlife 07 Under Pressure 08 Moonage Daydream
*Original Notes*
This is the source used for the 3xLP release "Dublin: I'm In Clover" by Bureau Supply that is scheduled for release tomorrow. https://www.discogs.com/David-Bowie-Dublin-Im-In-Clover/release/8701706
Breaking Glass is missing both on the source tape and on the vinyl release. According to a comment on Discogs, the vinyl release is faulty and has TMWSTW twice instead of Teenage Wildlife. Some tracks have some static noise.
Artworks for the vinyl release are included, but please feel free to create proper CD artworks for this great recording.
Received from a kind member that wants to remain anonymous.
The Cranberries - Paris, France Palais Omnisports de Paris-Bercy
December 9, 1999 FM Source/Soundboard @320
Set List:
"Promises" "Animal Instinct" "Loud and Clear" "Ode to My Family" "The Icicle Melts" "Linger" "Wanted" "Salvation" "Desperate Andy" "Go Your Own Way" (Fleetwood Mac cover) "Pretty" "When You're Gone" "I Can't Be With You" "Waltzing Back" "Free to Decide" "Zombie" "Ridiculous Thoughts" "Dying in the Sun" "You and Me" "Just My Imagination" "Delilah" "Dreams"
