Genesis - Montreal Sports Center Centre Sportif de l'Université de Montréal Montreal, QC, Canada April 21, 1974 FM Source @320
Genesis with Peter Gabriel at the Montreal Sports Centre in
Montreal, Canada on 4/21/1974. This concert was part of their Selling
England By The Pound tour. Recorded and broadcast by CHOM-FM in
Montreal.
Genesis: Peter Gabriel- Lead Vocals- Flute and Percussion Tony Banks- Keyboards- 12 String and Backing Vocals Mike Rutherford- Bass Guitars, Bass Pedals, Guitars and Backing Vocals Steve Hackett- Lead Guitars and Effects Phil Collins- Drums- Percussion and Backing Vocals
From the original FBS archives...Rebooted
Originally posted June 6, 2016
Dave Alvin & The Guilty Men High Noon Saloon
Madison WI.
November 5, 2004
Soundboard matrix @320
SBD matrix mix with vocals and fx group down a touch FOH- Gavin (HNS house sound engineer) Special Guest: Frank Furillo - Harmonica Taped by TAS
Track List 01 Soundcheck 02 Soundcheck What did the Deep Sea Say? 03 Soundcheck 04 Soundcheck 05 Please, Come Home 06 All Night Worker 07 So Long Baby Goodbye 08 Sinful Daughter 09 Abilene 10 Out Of Control 11 Dry River 12 Trouble Bound 13 Somewhere In Time 14 Somewhere in Time -> Ashgrove 15 Ashgrove (cont') 16 Greenback Dollar 17 Fourth Of July Encores: 18 King of California 19 Black Sky *w/ Frank Furillo (harmonica) 20 band intros ->Marie, Marie 21 Marie, Marie (cont')->So Long Baby Goodbye outro
The Knitters are: John Doe, Exene Cervenka, Dave Alvin, Jonny Ray Bartel, and D.J. Bonebrake
Serious Young Insects - House Breaking (1982) Studio Recordings @192 Out of Print
Serious Young Insects were a short lived Australian pop rock band formed in 1980. The group released one studio album and three singles.
Serious Young Insects formed in 1980 with Peter Farnan on vocals and guitar, Michael Vallance on vocals and bass guitar and Mark White on vocals and drums. Australian musicologist, Ian McFarlane, described Serious Young Insects as a "quirky, three-piece Melbourne new wave band".
In May 1982, they released the album, Housebreaking, and three singles. Lisa Perry of The Canberra Times praised the album "several times I had to check the cover to see if there were not also some session musos or others contributing to the sounds I was hearing. For a three-piece combo, these lads sure make a good sound". Richard Pleasance, a classically trained guitarist, was a fan and briefly joined the group before it broke up in the following year. ~Wiki
LP Released 1982
*I received a copy of this LP as part of a gag gift at a christmas party
around 1987 or so. The fellow who gave it to me hosted an Australian
exchange student who brought this record with her. He teased her about
it to the point that she gave it to him when she left. I in turn
received it from him as a gag when i was about 15 years old and fell in
love with it. Years later when I ran across Peter Farnan on MySpace I
recounted the story to him and he replied and told me that they had
quite a bit of live shows recorded to tape that they wanted to
eventually transfer to digital.~tex d-lux
pass -fbsvw
As I was looking for info of the band I found that Willfully Obscure had posted this back in 2012 and have also updated their link. If you have access to ZippyShare and aren't blocked in your country you can get it at our friends atWillfully Obscure. Make sure to tell them THANKS!
If you don't have access to Zippy then we have it for you here...
The Au Pairs were a British post-punk band that formed in Birmingham in 1978 and lasted until 1983. They produced two studio albums and three singles. Their songs
were said to have "contempt for the cliches of contemporary sexual politics" and their music has been compared to the Gang of Four and the Young Marble Giants. The band was led by Lesley Woods, who was once described as "one of the most striking women
in British rock".
~Wiki
From the Dave Sez archive, thanks to the great StevieD !
Set List:
Come Again Diet You Repetition It's Obvious Armagh Unfinished Business
This is a historic moment, because Patti Smith playing the final night at CBGB’s in on October 15, 2006. After a long, hard fight a New York institution would be closing.
We get almost 1,500 hits a day at this blog but no one has much of anything to say. The music we post is getting downloaded like there will be no tomorrow. I'm getting to the point of giving up. There is no satisfaction for posting to a mute audience. ~The Management
Elvin Jones is best known for his work with John Coltrane during the first half of the '60s, but who has also played with everyone from Miles Davis to Sonny Rollins to Grant Green to Duke Ellington. "New Agenda" was Jones' first release for Vanguard in 1975. There's a pretty heavyweight reeds section behind him here - mainstay Steve Grossman with help on different tracks from Azar Lawrence, Joe Farrell and Frank Foster.
MUSICIANS Drums - Elvin Jones Bass - Dave Williams Guitar - Roland Prince Percussion - Candido (5,7) , Frank Ippolito (1,2,4,5,7) , Guillermo Franco (3,4) Piano - Gene Perla (5,7) , Kenny Barron (1) Reeds - Azar Lawrence (3,4) , Frank Foster (1,2,5) , Steve Grossman Saxophone - Joe Farrell (5,7)
When My Bloody Valentine walked on the stage of feedback-pop, something truly magic was finally created in the realm of psychedelia. The mini-album Ecstasy (1987) explored the ambiguity that would make their mature sound so haunting and devastating: ecstasy and terror were two faces of the same moon, and that moon shone day and night. Daydreaming and nightmare became the same state of mind as guitars enveloped naive melodies and drums smashed vocal harmonies. Isn't Anything (1988) went one step further than Jesus And Mary Chain, in that it renounced punk's violence and harked back to the most dilated forms of acid-rock. Kevin Shields' "shoegazing" guitar fullfilled Jerry Garcia's and Jimi Hendrix' galactic bliss, and helped the sweet litanies grind their way into a transcendental trance. Electronic keyboards joined guitar noise on Loveless (1991), the ultimate exploration of textures in rock music. Its stunning chaos can be viewed both as an enraptured "om" to the universe or as a deranged scream in a madman's cell or as a terrified paralysis in the face of a supernatural force. The album changed the meaning of the word "music" by proving the equivalence between "noisy" and 'symphonic", the same way that Einstein proved the equivalence between inertial and gravitational mass.
Source: (20' from left stack) SP-CMC-2 cards > SP-SPSB-11 > Sony PCM-M10 (24bit/44.1kHz) Lineage: Audacity (normalize, tracking, fades) > WAV (16bit) > Trader's Little Helper > FLAC (6) Taped by: bcc32065
Dave and Phil Alvin, late of the band the Blasters and longtime mainstays of an American roots-rock scene that absorbs elements of rock, folk, country, and blues, have always had a contentious relationship. Dave’s departure from the band, in the mid-eighties, ushered in a period in which the two brothers kept their distance from each other; Dave pursued a solo career while Phil occasionally reformed the Blasters. Last year, the brothers reunited to record material for “Ghost Brothers of Darkland County,” a musical project masterminded by Stephen King, John Mellencamp, and T-Bone Burnett. And now they have extended the revived partnership with an entire album, “Common Ground: Dave Alvin + Phil Alvin Play and Sing the Songs of Big Bill Broonzy”.
Dave Alvin - vocals, acoustic & electric guitars
Phil Alvin - vocals, acoustic guitar & harmonica
Chris Miller - electric guitar & backing vocals
Brad Fordham - bass & backing vocals
Lisa Pankratz - drums & backing vocals
Set List: 01. Intro
02. I Feel So Good
03. Key To The Highway
04. Southern Flood Blues
05. Never No Mo' Blues
06. Stuff They Call Money
07. Truckin' Little Woman
08. What's Up With Your Brother?
09. Please, Please, Please
10. Dry River
11. One Bad Stud
12. Marie Marie
13. So Long Baby Goodbye
Johnny Winter - 1970-09-17 - Chicago, IL (SBD/FLAC) (Soundboard FLAC)
Johnny Winter - Electric Guitar, Vocals Rick Derringer - Electric Guitar Randy Jo Hobbs - Electric Bass Bobby Caldwell - Drums
Set List (about 60 minutes):
1.†guess I'll go away
2. good morning little schoolgirl
3. rock'n'roll hoochie koo
4. it's my own fault
5. highway 61 revisited
6. johnny b. goode
medley:
7. mean town blues [a small cut in the first minute, almost unnoticeable; with slide guitar jam]
8. walking blues
9. mean town blues [conclusion]
