CAMEL - Stadium, Paris, France, 1978 November 17th

CAMEL - Stadium, Paris, France, 1978 November 17th

TYpe: Bootleg
Type: Flac
Source: Soundboard
Quality: A
Lineage: cassette > Magnetic Tape 7 inches > SoundblasterLive > Wav > flac8 stereo
Dowmlad Size: 460 mb

Notes From Original poster:
Wonder! I discovered in my cellar about 30 magnetic tapes (7 inches)
with about 50 shows of the seventies!!!
Unfortunatly, maybe some of (parts) them are damaged (noises, mediums or highs spoiled)
I'll add some samples.

The Band:
Andrew Latimer / Guitars, Flute, Vocals
Mel Collins / Wind Instruments
Richard Sinclair / Bass, Vocals
Andy Ward / Drums, Percussion
Dave Sinclair / Keyboards

Set list:
01-?
02-Song within a song
03-The sleeper
04-Summer lightening
05-Tell me
06-Medley "The snow goose"
07-?
08-?
09-?
10-?

Enjoy or not!

https://rapidshare.com/files/1134369553/C1978-11-17.rar

Please Stand By...

Completely hosed computer. Will be back when and if we can get this thing back from the intensive care unit.

Please bear with us.

~Thanks,
The Management

The Tubes - Live Boston 1976

The Tubes - Orpheum Theatre

Boston, MA

April 23, 1976

Master audience recording taped by Dan Lampinski @320

Sorry folks, I got it in mp3, I'm not the one that turned it into an mp3.

Set I/CD1
01 Young And Rich Grandiose Instrumental Overture >
02 What Do You Want From Life?
03 Tubes World Tour
04 Pimp
05 Mondo Bondage > Don't Touch Me There > Mondo Bondage Reprise
06 Brighter Day
07 Poland Whole/Madam I'm Adam

Set II/CD2
01 Slipped My Disco
02 Gimme Dat Harp > Love Will Keep Us Together
03 The Cathy Perkins Amateur Hour
04 Proud To Be An American
05 It's Not Unusual
06 3rd Stone From The Sun
07 Waiting For My Man > Boy Crazy
08 Quay Lewd's Drug Deal
09 Stand Up And Shout (spliced)
10 White Punks On Dope

The intro to "Love Will Keep Us Together" is the Captain Beefheart tune "Gimme Dat Harp" featuring Roger on blues harp.

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt
Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.

**Supplied Notes**
Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.
He recorded many of the major 70's bands: Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several "under the radar" acts.
Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.
Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honor his kindness and generosity by sharing these recordings freely.
Always remember - the more generous you are with your music, the more it comes back to you.
Kev & Carl June 2009


  

Boston '76

Bill Hicks - Relentless

More Genius from the Master... 

Enrico Rava Quartet - Live Rome 1980

Enrico Rava Quartet - Live Rome 1980 

Rome, Italy, 

March 16, 1980

Matrix recording @ 320

Enrico Rava (born 20 August 1939 in Trieste, Italy), is a prolific jazz trumpeter and arguably one of the best known Italian jazz musicians. He originally played trombone, changing to the trumpet after hearing Miles Davis. His first commercial work was as a member of Gato Barbieri's Italian quintet in the mid-1960s; in the late 1960s he was a member of Steve Lacy's group. In 1967 Rava moved to New York City, and one month later became a member of the group Gas Mask, a group that had one LP on Tonsil Records in 1970. He has played with artists such as Carla Bley, Jeanne Lee, Paul Motian, Lee Konitz and Roswell Rudd. Chiefly an exponent of bebop jazz, Enrico Rava has also played successfully in avant-garde settings. His style may partly recall Kenny Wheeler's in its spareness and lightness of tone, albeit Rava's is harmonically simpler.

In the 1970s and 1980s he worked with Pat Metheny, Michel Petrucciani, John Abercrombie, Joe Henderson, Richard Galliano, Miroslav Vitouš, Andrea Centazzo, Joe Lovano, Gil Evans and Cecil Taylor.
~Wiki


Enrico Rava -trumpet
Franco D'Andrea - piano
Giovanni Tommaso - bass
Bruce Ditmas - drums

Set List:
1. Lulu/At The Movies/Rose Selavy/Round About Midnight/
Small Talk (46:24)
2. The Fearless Five/Outsider/Ah/Lost And Found (54:10)

Time 1:40:34


Enrico Rava Quintet - Jazz Baltica 2004
(Complete Video Concert Stream)



Rome '80

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The Reverend Bill Hicks...

More Wisdom From The Master...

Tool - Sober

This is my feeling on the world, the nation, politics 
and life in general...


There's a shadow just behind me,
shrouding every step I take,
making every promise empty,
pointing every finger at me.
Waiting like a stalking butler
who upon the finger rests.
Murder now the path is must we
just because the son has come.

Jesus, won't you fucking whistle
something but the past and done?
Jesus, won't you fucking whistle
something but the past and done?

Why can't we not be sober?
I just want to start this over.
Why can't we drink forever?
I just want to start things over.

I am just a worthless liar.
I am just an imbecile.
I will only complicate you.
Trust in me and fall as well.
I will find a center in you.

I will chew it up and leave,
I will work to elevate you
just enough to bring you down.

Mother Mary won't you whisper
something but the past and done
Mother Mary won't you whisper
something but the past and done.

Why can't we not be sober?
I Just want to start this over.
Why can't we sleep forever?
I Just want to start things over.

I am just a worthless liar.
I am just an imbecile.
I will only complicate you.
Trust in me and fall as well.
I will find a center in you.
I will chew it up and leave.

Trust me. Trust me. Trust me. Trust me. Trust Me.

Why can't we not be sober?
I Just want to start things over.
Why can't we sleep forever?
I Just want to start this over.

I want what I want.
I want what I want.
I want what I want.
I want what I want.




Tool & Robert Fripp - Soundscapes/Sober live @ Los Angeles,CA (13.8.2001)-HQ Audio- 
Thanks to the tapers. From Taper: Robert Fripp plays solo Soundscapes after "Reflection" and then the band goes into "Sober" Fripp appeared with Tool on the 2 Berkeley shows, the 2 LA shows and the San Diego  show.



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Frank Zappa & The Mothers - A Snail In My Nose 1970

Frank Zappa & The Mothers 
Fillmore East OR West, 1970
aka - A Snail In My Nose

Liberated Bootleg
Soundboard @320

Sound quality: Soundboard A
This is the 14 tracks on the CD version:

Thanks to some guy on the interwebs!!

Set List:
00:00 Does This Kind Of Life Look Interesting To You? (00:49) [intro]
00:49 A Pound for a Brown on the Bus (07:26)
08:15 Sleeping in a Jar / Interlude (04:50)
13:05 Sharleena (04:31)
17:36 The Sanzini Brothers / FZ Talking to Audience (02:22)
19:58 What Will This Morning Bring Me This Evening? (02:30)
22:28 What Kind Of Girl Do You Think We Are? (01:44)
24:12 Bwana Dik (01:46)
25:58 Latex Solar Beef (01:00)
26:58 Daddy, Daddy, Daddy (02:50)
29:48 Little House I Used to Live in [including "Penis Dimension"] (04:10)
33:58 Holiday in Berlin [w/lyrics!] [incl. "Would You Like a Snack?"] (07:44)
41:42 Instrumental [including "Inca Roads" & "Easy Meat"] (07:16)
48:58 Cruising For Burgers (02:46)

Frank Zappa - Guitar, Vocals
Mark Volman - Vocals
Howard Kaylan - Vocals
Ian Underwood - Winds, Keyboards, Vocals
Aynsley Dunbar - Drums
Jeff Simmons - Bass, Vocal
George Duke - Keyboard, Vocal
Don Preston - Mini Moog

**Original Notes**
The Italian title comes from a 1980s number in the Uncle Meat movie and on the Uncle Meat CD re-issue; an Italian has translated it as "I got a big bunch of dick". An Italian re-issue is cowardly renamed A Snail in My Nose.

This seems to be hodge-podged together from tapes of two shows that night (that goes also for the Freaks & Motherfuckers boot). Tracks 1-5 are probably from the early show and tracks 8-14 from the late show (?). Tracks 6-7 could be from both. The "Interlude" includes "Raindrops Keep Falling on My Head", and track 13 includes 40 seconds of "Inca Roads" (a very early version, of course, with only the 16th-note theme) and 24 seconds of "Easy Meat". Around the track break between tracks 11 and 12 there are some "Mudshark Variations".

"Sharleena" is the same performance as on Hotel Dixie. Tracks 11-14 are the same recording as side two of Freaks & Motherfuckers and Hotel Dixie.

The location and date of this show is up for grabs. Beat the Boots claims it as Fillmore East 11-May-1970, which is wrong; the Flo & Eddie band had not been formed then. According to fanzine T'Mershi Duween, the tape the boots are struck from is recorded at the Fillmore West and sometimes identified as 24-May-1970, sometimes as 6-Nov-1970. (As Mike Phillips points out, Zappa does talk about "the speech-impediment lounge at the Fillmore East" during "Does This Kind of Life Look Interesting to You?".) Some people identify them as 14-Dec-1970, but according to Miles' book A Visual Documentary, Zappa was in Europe in December 1970, which has given rise to the date 14-Nov-1970. The Hotel Dixie boot claims to be from that date - but is it the same recording? Pick your favourite.

A Snail in My Nose has a different, imagainative track listing on the cover, but everyone says its a copy of Tengo 'na Minchia Tanta. The cover picture is a black and white snail on a colourful background. The Lost Rose CD cover has a sepia head-and-upper-body photo of Zappa playing guitar with a blurred portrait of him in the background.


pass = fbsvw

Snail

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Please Read...

Blog Walkers Beware!!!!

We NEVER get Tired of PERMANENTLY 

BANNING IP Addresses 

from the Chatbox!
And Reporting You As A SPAMMER!

Stay The FUCK Out!!

Bikini Contests 2012

To Kill A King - Word Of Mouth [EP]

To Kill A King - Word Of Mouthe [EP]

To Kill A King is a band out of London. “Word of Mouth” is a 6 song EP that was released in July of this year. Their sound is something like relaxed indie rock meets folk, but with a twist. The first association that came to this author’s mind was Noah and the Whale, because the lead singer has that same engagingly waxy vocal style where the pace often falls somewhere between singing and talking emotively. Plus, they take on some of life’s larger issues, or at least more heartfelt issues, in their lyrics. Paul Simon also comes to mind (except they don’t talk in coded lyrics). They employ developed song progressions, so be sure to let the songs entirely play out before you decide if you like them. It’s very sincere and well thought out music. Funeral is a toe-tapping number that builds to an enjoyable crescendo of sorts and show what their version of pent up energy sounds like. Beside She Says is meant to be a reflective & mellow song, but with a few different tempo & styles are used to access that feeling. It’s a very dynamic song in that manner. Wolves is a fun one, it begins with a playful country guitar riff, but then weaves it’s way into a strutter that might cajole you into some movement.
~Sean Brna


Recorded live in the rehearsal studio. credits released 23 July 2012 All tracks written by Ralph Pelleymounter and To Kill A King Recorded, produced and mixed by To Kill A King. Except "Let It Die" - originally performed by Feist

Spirit - Live Gusman Hall Miami, FL 09-26-1976

SPIRIT - Gusman Hall Miami, FL 09-26-1976

Type: Bootleg
Format: Flac
Source: FM Broadcast? Audience recording?
Quality: B+ - A-
Lineage: FM > ?? > Cassette(Gen unknown)> wave > CDWave > CDR > EAC (Secure Mode & Offset corrected) > wave > Goldwave v.5 > Flac (level 8)
Download size: 1 file 502 MB

Remaster Notes:
This was a show  received from a friend in the mid-80s. There was some wear on the master - Tracks 1 & 14 show evidence of minor stretching at the start. For  a radio show it's not that great a mix either. However, as I had never seen this show on anyone's list I transferred it and seeded it as a 2 disc set on STG.
My original flacs are now lost, so this has been ripped from my audio copy, burned from the original waves. Some minor editing has been done to make this fit on one disc: d1t06 has been removed and d1t06 and d1t13, which are other tuning tracks, have been edited in length. The last track has also been faded early, but the radio announcer added back on for historical sake. I have also removed the minor dropout in t03 and a number of loud pops and clicks, though some remain. Volume levels have also been boosted by 25%. Sorry, but my remastering skills stop there!!So, not a pristine show, but an important historical document. Interestingly, the setlist follows much of the previous years Spirit of '76 album (released in '75!!) and omits the Farther Along material.

Tracklist:
01. Intro
02. Nature's Way
03. Radio Man
04. Chairman Mao
05. Victim Of Society
06. Miami Blues
07. Reelin' In The Night
08. Tuning
09. Like A Rolling Stone
10. Animal Zoo
11. 1984
12. Tuning
13. Miami Jam

14. Nothing To Hide
15. Midnight Train
16. All The Same (inc Drum Solo)
17. I Got A Line On You
18. Keep Me Satisfied
19. All Along The Watchtower
20. Nature's Way II
21. Leavin' It Up To You
22. Hey Joe
Length: 79:59

Artwork: Included

Original poster notes: As with all my seeds, if there is someone out there who can clean this up, please go ahead, but let's keep it lossless - no mp3s!!

Enjoy or not!

https://rapidshare.com/files/1480832571/SP_1976-09-26.rar!

Genesis - 11-22-1973 Felt Forum, New York NY

Genesis - 11-22-1973 Felt Forum, New York NY

Type: Bootleg
Format: Flac
Source: Audience Recording
Quality: A-
Download size: 1 file 744 mb

The Band:
Petr Gabriel
Phil Collins
Steve Hackett
Tony Banks
Mike Rutherford

Track #     Track Name             Track Length

1.1     Watcher Of The Skies             08:58
1.2     Dancing With The Moonlit Knight         09:47
1.3     The Cinema Show             12:35
1.4     I Know What I Like             05:50
1.5     Firth Of Fifth             10:04
1.6     The Musical Box             12:39
1.7     Horizons                 02:00
1.8     More Fool Me             03:57
2.1     The Battle Of Epping Forest         11:28
2.2     Peter Talking             03:16
2.3     Supper's Ready             24:01
2.4     The Knife                 09:37

Total Running Time :  1:54:12





BURP006

ArtWork included

Enjoy or not!

https://rapidshare.com/files/2244812271/GEN_1973-11-22).rar

Cannonball Adderley - The Black Messiah {Out of Print}

Cannonball Adderley - The Black Messiah
Live at the Troubador 1972
Los Angeles, CA.
Vinyl Rip @320
Out of Print

Track List:
The Black Messiah (Live, 1972)
1. Introduction
2. The Black Messiah
3. Monologue
4. Little Benny Hen
5. Zanek
6. Dr. Honoris Cousa

The Black Messiah (Live, 1972)
1. The Chocolate Nuisance
2. Untitled
3. The Steam Drill
4. Eyes Of The Cosmos
5. Episode From The Music Came
6. Heritage
7. Circumference
8. Pretty Paul
9. The Scene

    Cannonball Adderley - alto saxophone, soprano saxophone
    Nat Adderley - cornet, vocals
    George Duke - piano
    Walter Booker - bass
    Roy McCurdy - drums
    Airto Moreira - percussion
    Mike Deasy - guitar, vocals (tracks 4, 5, 7, 10, 11 & 13-15)
    Ernie Watts - tenor saxophone (tracks 4, 5, 8, 10, 11 & 13-15)
    Alvin Batiste - clarinet (tracks 11 & 13-15)
    Buck Clarke - African percussion (tracks 7 & 13-15)


pass = fbsvw

The Black Messiah


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Radiohead - Live Montreal 2003

Radiohead - Parc Jean-Drapeau
Montreal, QC, Canada
August 15, 2003

Source: FM 102.1 The Edge>Kenwood KT-74 > Sound Forge 6.0 (edits, and fade on eiirp) >
CD > WAV > FLAC

Track List:
1. 2+2 = 5
2. Sit Down Stand Up
3. Where I End And You Begin
4. (Inteview Clip)
5. Lucky
6. Paranoid Android
7. A Punchup At A Wedding
8. (Inteview Clip)
9. Pyramid Song
10. Idioteque
11. There There
12. (Inteview Clip)
13. I Might Be Wrong
14. Just
15. Go To Sleep
16. (Inteview Clip)
17. Karma Police
18. Everything In Its Right Place

As Always...Thanks to the original source!!


Montreal '03

Black Label Society - Live Graspop 2011

Wakey! Wakey! 

Black Label Society - Live Graspop 2011 

Dessel, Belgium 

Full Concert - 50min. 10seconds

Let's Blow Some Eardrums!!! 

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Genesis - Music Hall, Boston. 24th April 1974 HW10

Genesis - Music Hall, Boston. 24th April 1974 HW10

Type: Bootleg
Format: Flac
Source: Audience Master, Soundboard??
Quality: A
Download size: 1 file 595 mb
Lineage: The Recording  This recording has been remastered from Steve Hopkins' transcription of his master tape, which he generously sent me. The recording was made on a Sony TC-55 with built in condenser microphone. The tape was transferred using a Nakamichi DR-2 cassette deck to Sony TCD-60ES  DAT recorder at 44.1KHz with Super Bit Mapping (which really improves the clarity of the sound), before being transferred to CD.  The recording is mono, but clear and with significant detail

Notes from original poster: The Show  This evening's performance in the middle of the 2nd American Selling England tour was frustrating and brilliant at the same time. The equipment problems that plagued this tour were particularly bad this night, and at times you can hear Gabriel and Collins losing some of their usual tolerance in the face of continual microphone problems. Gabriel comments at one point that "we'll go professional next week", and Collins; "I bet you wish you'd gone to the pictures". The intro to 'I Know What I Like' is aborted at one point.   Never-the-less, this is a great musical performance, and one of the better recordings of a show from this tour. Firth of Fifth is given a particularly emotive performance, and Phil varies some of his vocal lines in More Fool Me nicely.
There is also an interview with Mike and Phil, including the end of their performance in the studio of 'More Fool Me', which was broadcast on Boston's WBCN radio, and which seems to be previously unknown.  The Recording  This recording has been remastered from Steve Hopkins' transcription of his master tape, which he generously sent me. The recording was made on a Sony TC-55 with built in condenser microphone. The tape was transferred using a Nakamichi DR-2 cassette deck to Sony TCD-60ES  DAT recorder at 44.1KHz with Super Bit Mapping (which really improves the clarity of the sound), before being transferred to CD.  The recording is mono, but clear and with significant detail. The only limitation with this tape is that it does not represent the entire show, as The Battle of Epping Forest, and possibly Horizons (if they performed it this evening) are missing. There are also a few minor edits in the recording, and one of these may have omitted Phil's one-handed drum solo, which one is tempted to think they must have performed given the amount of technical difficulties.  This recording has been widely in circulation, most commonly through the Highland disc 'More Fool Me'. I don't have a copy of this, but my impression is that while it is a complete transcription sourced from a low generation tape, it is very bright in the upper midrange, and lacking in richness in the bass. The master tape by contrast, is more balanced overall, and with a rich bass presence. The afternoon before the show, Phil and Mike came into Boston's WCBN studios, performed 'More Fool Me' and gave a short interview. This interview has not been previously in circulation, but Steve had a recording of it, unfortunately missing all but the last 50 secs or so of 'More Fool Me'. But at least it exists and is included in this release.   The Remaster  I took only one channel of Steve's transcription, so as to optimize for mono. I denoised the recording minimally, mostly just to sharpen up the treble a little. Eq balance was pretty good, although I attenuated the lower midrange a little around 200Hz to compensate for a slight turned on and off during some of the technical hold ups in the show to provide a little more continuity. I cannot pick the point at which Epping Forest is missing from the recording, I assume it must have been played, especially as Phil and Mike comment in the interview about the show running nearly two hours - this recording comes in at just over 90 mins.  There are also a few squeaky noises on the master recording, which may come from the cassette recorder, or even the seating at the venue. These sounds were quite distracting, so I have removed them. There was a very noticeable one at the beginning of Tony's piano intro to Firth of Fifth, and others in the opening section of Musical Box.

The Band:
Petr Gabriel
Phil Collins
Steve Hackett
Tony Banks
Mike Rutherford

Disc 1:
1. Watcher of the Skies
2. Britannia story
3. Dancing with the Moonlit Knight
4. Romeo and Juliet story
5. The Cinema Show
6. I Know What I Like
7. 5 rivers story
8. Firth of Fifth

Disc 2:
1. Henry story
2. The Musical Box
3. More Fool Me
4. Old Michael story
5. Supper's Ready
WBCN studios, afternoon of 24th April 1974
6. More Fool Me (conclusion)
7. Interview with Mike & Phil

Enjoy or not!
Artwork and covers included

https://rapidshare.com/files/1925963411/GEN_04-24-1974.rar

Chris Robinson Brotherhood - Live @ The Pour House- Charleston, SC Nov. 10, 2011

I'm quite fond of this band. It's the kind of band I'd love to be a part of... they remind me of a tougher, leaner Grateful Dead.  Chris Robinson's vision of a travelling musical commune bringing music to the folks, on their own terms, without regard for making money, is a rather altruistic ideal not often found anymore. Especially
considering Robinson's history with the Black Crowes. I dig the the Crowes but this band appeals to me even more. You can just feel how
much they enjoy what they do. Yes, the jams are sometimes long and loose, but the energy from the band for what they are playing is definitely palpable. Covers? Originals? It's all good. To quote Robinson from a recent Uncut interview that accompanied the review for their fantastic new album, Big Moon Ritual: "Will CRB tour the UK?" Robinson: "We'd like to. It's hard. People ask us, why do you play so many dates in California? Well, because you can drive around with a pound of weed and not get in trouble. Let's face it, we have priorities as a band." 


'Nuff said, Chris. Keep on keepin' on...

Enjoy. Or not.

-DC

CD1

101 Let's Go, Let's Go, Let's Go 
102Tomorrow Blues 
103 Eagles on the Highway 
104 Catfish John 
105 Star or Stone 
106 Tough Mama 
106 Beware 
107 Rosalee 

CD2

201 Girl On the Mountain 
202 Poor Elijah / Tribute To Johnson 
203Appaloosa 
204 Bertha 
205 Vibration & Light Suite 
206 Ride 
207 Lost My Drivin' Wheel 
208 Sunday Sound 

Encore:

209 Older Guys
210 Got Love If You Want It 

Spooky Tooth - 1974 Agora Ballroom Cleveland, OH

SPOOKY TOOTH - XX-XX-1974 (exact date unknown) Agora Ballroom Cleveland, OH

Type: Bootleg
Format: Flac
Source: Unknown
Quality: A- - B+
Download size: 1 file 263 mb
Lineage: Unknown source > CD-R > EAC > FLAC (8)

Notes. This is a most excellent show by Spooky Tooth. Some Excellent guitar on "Old as I was born" (Mick Jones). I highly recommend grabing this show especially if you have never heard this band live. Grab it and give it a listen you will not be disappointed.

Notes from Original poster:
This is Spooky Tooth at the Agora Ballroom in Cleveland OH from 1974.  Probably an FM broadcast, but no specific info was provided in the info file I originally got with this.  I d/l this from Pink Robert last year - many thanks to him for sharing his fabulous music collection with us.I have attached a sound sample, and also frequency analysis and spectral views of one song, kindly provided by the Mods.  There is significant drop-off after 8K, but it is not "lossy" sourced.

I checked various sites such as All Music Guide, Spooky Tooth discography sites, and Amazon.com to see if any official releases contained any material from this recording.  The only official release of live material I could find was the BBC release, which includes some of their BBC recordings, and also a couple of cuts from an unknown show in 1970.  There is another bootleg called "First Tooth", which contains some of the songs from this show, but not all of them.  All the references I could find show "First Tooth" to be a bootleg, and not an official release.

The Band:
Mike Patto--Vocals & Keyboard
Gary Wright--Vocals & Keyboard
Mick Jones--Guitar
Val Burke--Bass
Bryson Graham--Drums

Set list:
1 Waiting For The Wind
2 Cotton Growing Man
3 Old As I Was Born
4 The Mirror
5 Fantasy Satisfier
6 I Am The Walrus
7 Evil Woman

Enjoy or not!

https://rapidshare.com/files/1472413208/ST1974.rar

Sisters Of Mercy - John Peel Radio Sessions - '82,'83,'84

Sisters Of Mercy - John Peel Radio Sessions
aka- Sisters Are Doing It At The BEEB

FM Source @ VBR

Track List:
August 25,  1982
01. Good Things
02. Floorshow /Alice
03. 1969
04. Alice

June 19,  1984
05. Poison Door
06. Walk Away
07. No Time to Cry
08. Emma

Kid Jensen Session, March 10, 1983
09. Jolene
10. Heartland
11. Burn
12. Valentine

...special thanks to Rob

pass = fbsvw

BEEB '82,'83,'84

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