TCM is running a rock and roll at the movies based theme this month on Monday night's. They just played "Great Balls Of Fire" the other night. If you've seen this then you've seen Jason D Willams. Or at least his hands. From what I understand the close-up's of Jerry Lee or Dennis Quade's hands on the keyboards are actually Mr. Williams. So for the six of you that know about Jason D I don't have to say anything. But for the rest of you that have never heard of him might I suggest you check this out. Truly in "The Killer's" style.
Rebooted... Originally posted October 9, 2013 and April 16, 2016
Primus - Live SWU Festival Sao Paulo, Brazil November 14, 2011 Broadcast source @256
(1 uncut track 56:08)
Set List: Those Damned Blue-Collar Tweekers Pudding Time Prelude to a Crawl Eyes of the Squirrel Wynona's Big Brown Beaver Jilly's on Smack Over the Falls Lee Van Cleef Jerry Was a Race Car Driver My Name Is Mud John the Fisherman
Primus playing Woodstock 94 in Saugerties NY. Jerry Cantrell plays on Harold of the Rocks
DrKick sound breaks: Those Damned Blue-Collar Tweekers - 06:05 Pudding Time - 05:17 Prelude to a Crawl - 01:49 Eyes of the Squirrel - 06:28 Wynona's Big Brown Beaver - 04:51 Jilly's on Smack - 06:48 Over the Falls - 06:36 Lee Van Cleef - 03:48 Jerry Was a Race Car Driver - 04:02 My Name is Mud - 04:35 John the Fisherman - 04:22
Set List: 01 Jerry Was a Racecar Driver 02 John the Fisherman 03 Groundhog's Day 04 Disco Chili *
Lineup:
Les Claypool: Bass, vocals
Larry "Ler" LaLonde: Guitar
Tim Alexander: Drums
* Bob C. Cock: Vocals
* Angelo Moore: Sax
This is a great but short gig by Primus alter ego Bob Cock & The Yellow Sock. Only from the warped twisted mind that is Les Claypool!
Bob Cock is played by Adam Gates who is a close friend and roadie of the band Primus. Adam often appeared as Bob Cock on stage with Primus in different costumes. A spin off band was formed called Bob Cock & The Yellow Sock with Gates handling the vocals. Bob Cock sometimes wouldn't show up to the gigs, aledgidly due to his party life style.
In the late 90's the Bob Cock character was "killed off" by Gates, the death suposedly from a rumored cocaine overdose and a bizarre gerbilling accident in Mexico. The character was later revived at a recent annual Primus New Years Eve Freak Out. The reappearance of Bob Cock was explained by saying he had faked his own death.
On the DVD that comes with the Animals Should Not Try To Act Like People EP there is a hidden portion that shows Bob Cock in heaven doing drugs with Jesus in front of a Britney Spears calender.
~justdave
Pink Floyd - KQED Studios San Francisco, CA. April 30, 1970 Master broadcast version @flac & 320 aka - An Hour with Pink Floyd
Cover Art Date is incorrect
Live performance by Pink Floyd on 4/30/1970. This set was recorded and
broadcast separately on KQED FM and KQED TV in San Francisco CA. The
band plays the first side of their not yet released album Atom Heart Mother (1970), 3 songs from Ummagumma (1969) and 2 earlier songs from 1968 releases.
Setlist: 01.Atom Heart Mother 02.Cymbaline 03.Grantchester Meadows 04.Green Is The Colour 05.Careful With That Axe, Eugene 06.Set The Controls For The Heart Of The Sun
The Cure - Live Bizarre Festival Cologne, Germany August 22, 1998 Unknown broadcast Source @320
Set List CD1 Shake Dog Shake Fascination Street A Strange Day One Hundred Years If Only Tonight We Could Sleep Pictures of You Just Like Heaven Sinking Lullaby Wrong Number
CD2 Never Enough In Between Days From the Edge of the Deep Green Sea Cut Disintegration Untitled [with 'Watching Me Fall' tease] A Forest [no intro] 10:15 Saturday Night Killing an Arab
Lineup:
Robert Smith, Simon Gallup, Jason Cooper, Perry Bamonte, Roger O'Donnell
King Biscuit Boy - King Biscuit Boy Studio recordings @320 Out of Print
CD $40+ at the 'Zon
King Biscuit Boy aka Richard Alfred Newell, the Canadian blues musician noted for his harmonica playing. The name was taken from the 'King Biscuit Time' radio program, and was given to him by rock 'n' roll musician Ronald "Ronnie" Hawkins whilst he was playing as part of his backing band.
This recording has very little in common with the rest of Richard Newell's output, and for good reason. It was produced by Allen Toussaint at his creative apex, and is saturated with his New Orleans funk imprint. Blues traditionalists who enjoy the other Newell albums may not like this one as well, but to those who enjoy the Toussaint-style musical gumbo this offers a gem. It is excellent bluesy R&B. If it is your cup of tea you will want to investigate three other blue-eyed Toussaint productions from the same period: two albums whose titles are the names of the artists, "Browning Bryant" and "Jess Roden," and Frankie Miller's "High Life." Of course, Robert Palmer's first album, "Sneaking Sally Through the Alley," was recorded at Toussaint's studio with the Meters backing, and though not as fully Toussaintized, it is a fine album. ~N. Martin
Mind Over Matter Lovers And Leapers I'm Gone The Bum Is Mine The Greatest Love Mean Old Lady Deaf, Dumb, Crippled And Blind Willie And The Hand Jive Caledonia River River Boat
Hi folks. Been away for a while after a bout with Covid. I have been vaccinated so thank God for that. If you've had it you know what a motherfucker it is. Anyway I'm on the mend and ready to bring you my unique wit and wisdom and songs for your listening pleasure. Boy there sure has been some shit going down huh? Anyway about this post. Imagine The Standells, The Shadows Of Knight, The Seeds and you'll have a pretty good idea of what your getting here. Mostly cover songs trying to stay as true to the originals as possible. I think this band wanted to be a mixture of The Jimi Hendrix Experience and Cream but came out as sounding like a garage band seeing themselves on the stage of the Fillmore. I wonder whose idea it was to try and copy Spoonful, Wheels Of Fire version. If your a fan of the above mentioned bands this is right up your alley. I love this stuff. See scan.
Hinterwald passes on to the Blogger Hall of Fame...R.I.P.
Jobe is AWOL with some health issues...
Rocket is not answering emails concerning a dead link...
AND
Enoch has basically been locked out of Blogger...
If anyone has experience issues with syncing a gmail account with Google Blogger or what might be causing the problem with Blogger... After accepting a new invite to post using a new GMAIL address Blogger repeatedly takes person to a page that wants them to create a blog. We have spent the last 10+ days trying to resolve the issue.
We have tried... Logging out of all gmail accounts and back in. Dumped cookies, cache, temp files etc. Used different browsers and different devices....NO LUCK.
I may be posting for Enoch in the future if this is not resolved.
If you have any ideas or experience with this problem please leave a comment on this post or send an email to inasilentway1 at yahoo.
Rebooted by request with new @320 link!...
Originally posted June 28, 2016
Alien Sex Fiend - Too Much Acid? -1989
Various venues-various dates @320
{Out of Print}
Recorded at various dates during the European leg for the Another Planet album, the set list is heavy on material from that and It, plus a number of singles cuts from around that time, demonstrating nicely that the group was far from a revival act even when most of its Batcave contemporaries had long since disappeared. ~AllMusic.com
Track List:
1-It Lives Again 2-I Walk The Line 3-Nightmare Zone 4-Get Into It 5-E.S.T. (Trip To The Moon) 6-So Much To Do, So Little Time (Bun-Ho!) 7-Haunted House 8-Smells Like... 9-Hurricane Fighter Plane 10-Sample My Sausage 11-Boneshaker Baby
Jason Isbell and The 400 Unit is an American southern rock/ alt-country band based in Muscle Shoals, Alabama, and led by Jason Isbell, a former member of the Drive-By Truckers. The 400 Unit is Derry deBorja (keyboards), Jimbo Hart (bass) and Browan Lollar (guitar). Matt Pence (Centro-matic/South San Gabriel) lends his talents as co-producer, drummer and engineer.
The album, which was released in 2009, was co-produced by Isbell and The 400 Unit with Matt Pence. “I want it to be known that it’s a band record,” says Isbell. “I want it to be known that it’s something we all did together. Even though I wrote the songs, it was a very inclusive project.” Isbell has posted the new track, “Seven-Mile Island,” on the band’s MySpace site.
The album was recorded at the renowned FAME Studios in Muscle Shoals, AL. Isbell, who Details Magazine calls “one of America’s best young songwriters,” is following in the tradition of American songwriters who have recorded in North Alabama. Much like Arthur Alexander, Eddie Hinton and Spooner Oldham, Isbell mixes a soulful vocal style with songs that are passionate and unrepentant in their sense of place and direct in their stubborn Southerness.
Isbell is known for his songwriting, in particular his storytelling about common folks from the South and their perspectives on life. Whether it's a song about a marriage on the rocks because of a soldier's PTSD in "Soldiers Get Strange" or a narrator relating his inner thoughts as a bar closes in "Streetlights," Isbell provides the inner lives of characters that connect to listeners because of his honest and sometimes darkly humorous lyrics. ~Last.FM
Saxophonist Wayne Shorter will be 80 on August 25 and this performance
at the Festival des Cinq Continents in Marseille has been touted as an
80th birthday celebration. If only all of us could be so fortunate! And
in February 2013, Shorter made his return to Blue Note Records after 43
years and released Without A Net, his new album with his long-running
Quartet featuring pianist Danilo Perez, bassist John Patitucci, and
drummer Brian Blade.
Reviewing Without A Net for the BBC, Marcus J. Moore wrote:
Jazz
great Wayne Shorter recently spoke to the heart of his genre. “The six
years I was with Miles (Davis), we never talked about music,” he told
National Public Radio in the US. “We never had a rehearsal. How do you
rehearse the unknown?”
He’s absolutely right. When done properly,
jazz is a boundless medium through which improvisation is allowed to
breathe. In fact, it’s encouraged…So in the truest essence of
jazz, Without a Net is a sharp return to the music’s brighter days.
Orbits is a repurposed version of the Miles Davis Quintet’s 1967 song of
the same name. Shorter played on the original, a sprightly number of
quick drum snares and lively piano chords. Shorter’s version is a
bit darker and more methodical: above unsettled piano keys and
cascading percussion, he infuses the melody with sporadic horn fills. It
all makes for an exceptional recording, the saxophonist’s first since
2005’s Beyond the Sound Barrier. Here, Shorter is firmly at the helm, yet benevolent enough to play the background when needed. The rhythm has taken him far.
Lineup: Wayne Shorter - saxophone Danilo Perez - piano John Patitucci - bass Brian Blade - drums
Untitled Set List @ 75:02
******
Wayne Shorter Quartet
With Herbie Hancock Live Newport Jazz Festival August 04, 2013 Newport, RI.
NPR webcast rip @128
Untitled Set List
1 uncut track 79:52
Wayne Shorter, saxophones Danilo Pérez, piano John Patitucci, bass Brian Blade, drums Herbie Hancock, piano
King Gizzard & The Lizard Wizard Ancienne Belgique Brussels, Belgium February 3, 2016 Sooundboard @vbr
Setlist
Intro Head On/Pill (with a snippet of Am I In Heaven?) Robot Stop (with a snippet of Hot Water) Hot Wax Gamma Knife Trapdoor People-Vultures The River Evil Death Roll Danger $$$ I'm In Your Mind/I’m Not In Your Mind/Cellophane/I’m In Your Mind Fuzz
The Stranglers - Live Guildhall Portsmouth, GB March 13, 1990 Soundboard @flac
Lineage: Cassette>Audition>Mastering>CDWav>FLAC
Setlist:
01. Intro (Meninblack) 02. Shah Shah a Go Go 03. I Feel Like a Wog 04. Straighten Out 05. Shakin' Like a Leaf 06. 96 Tears 07. Someone Like You 08. Sweet Smell of Success 09. Always the Sun 10. Ships That Pass in the Night 11. Peaches 12. Where I Live 13. School Mam 14. Let's Celebrate 15. Uptown 16. Tank 17. Was it You? 18. Down in the Sewer 19. Nuclear Device (part) 20. Duchess 21. No More Heroes (part) 22. (Get A) Grip (On Yourself) 23. All Day And All of the Night 24. Punch and Judy
*Original Notes* The original line-up’s last UK tour was in support of the 10 album. I saw them several times on this stint and thought it was always an amazing gig! They were to lose Hugh Cornwell by August, but this is probably the ultimate document of this era.
A tight and energetic show they clearly are having fun and are at the top of their game. They were recording every show they did after being put in prison in 1980 in Nice, France, owing to comments allegedly made by bass player JJ Burnel.
Being free spirits who didn’t buy corporate bullshit they were always one comment away from controversy. This is why I love them. So luckily for us, a few of these tapes has found thee way into fans’ hands and this is one of the best.
This is a great recording. All the effects and left / right panning you’d hear at the gig are present. The band did release a lot of tracks from this tour as B-sides and extras and I suspect a professional got their hands on this before I did.
It’s a medium generation tape, ripped and mastered at 24bit/96k. Finalized as 16 bit/44k FLAC
Rebooted by request...
Originally posted August 2, 2015
Nashville Pussy - Live San Diego
January 2, 2002
Soundboard @vbr
Set List:
1. Gonna Hitchhike Down To Cincinnati... 2. Strutin' Cock 3. Wrong Side Of The Gun 4. Piece Of Ass 5. She's Got The Drugs 6. You Give Drugs a Bad Name 7. Go To Hell 8. High As Hell 9. Snake Eyes 10. Im The Man 11. Fried Chicken And Coffee
The Players: Robert Cray: guitar & vocals Jim Pugh: keyboards Kevin Hayes: drums Carl Sevareid: bass
Set List 01-Nothing Against You 02-I Shiver 03-I’ll Go On 04-I Can't Quit 05-Right Next Door > Reconsider Baby 06-Our Last Time 07-The One In The Middle 08-Stay Or Go 09-Smoking Gun 10-Phone Booth 11-I Was Warned
