TWO brighten your day

 Just in case you've been missing these, may I direct your attention to these two (well today it's three fine beauties)

Neil Young - Albuquerque

 *THANKS TO THE ORIGINAL POSTER

This is NOT I repeat NOT "Live At The Roxy" however for the most part the song list is the same. See Scans

                      I'LL FIND SOMEWHERE WHERE THEY DON'T CARE WHO I AM

 

The Toronto Rock And Roll Revival 1969 *NOW WITH NEW LINKS

*THANKS TO THE ORIGINAL POSTER
*DON'T FORGET TO VISIT THE ADULT BOOKSTORE MOTEL, RECORDS AND LIQUOR
AT THE WAGON     *REBOOTED* ORIGINALLY POSTED 3-26-18

"The first live performance of The Plastic Ono Band was the result of a spur of the moment decision that saw the makeshift group fly across the Atlantic a day after agreeing to a last-minute invitation.

"The band performed at Toronto's Varsity Stadium on the 13th of September 1969 as part of a festival called "The Toronto Rock & Roll Revival". The festival was headlined by The Doors, while most of the other major acts on the bill were artists associated with rock and roll's first wave: Chuck Berry, Bo Diddley, Little Richard, and the like. Ticket sales were lackluster, so the promoters invited John Lennon to emcee in order to boost their profits. John one-upped them by agreeing to perform.

"The Plastic Ono Band's performance at the Toronto Rock & Roll Revival was released in December of that year as the album Live Peace In Toronto 1969. Since then, some other performers' sets from that same festival have been released in various forms, while others have remained in the vault.

"This compilation attempts to collect all recordings that have been released from that day's festival, officially or otherwise, to put The Plastic Ono Band's famous gig back into the context of that day's concert proceedings."The Toronto Rock & Roll Festival was unique among 1960s music festivals in that it featured so many acts that were straight out of the 1950s. Now you can hear the juxtaposition of John Lennon playing alongside Chuck Berry, Alice Cooper alongside Bo Diddley, The Doors alongside Little Richard—all the sounds of what made the young history of rock and roll in 1969. Here they are, all in one place for the very first time."This "Collected and Incomplete" title includes everything from that day that is known to circulate among collectors. If you know where to find any of the rest of it, please share!The Plastic Ono Band at the Toronto Rock ‘n’ Roll Revival Festival

At the end of 1969, the psychedelic rage was over. Over the course of the previous year, major acts like Bob Dylan, The Beach Boys and the Beatles all had returned to the their roots: Rhythm & Blues and Rock 'n' Roll. New groups like The Band, Creedence Clearwater Revival, Delaney & Bonnie followed in their footsteps.

In Canada some people thought it might be the right moment for a revival concert. The day-long event was to take place in the Varsity Stadium at the University of Toronto, Ontario on Saturday September 13. The promoters Walker-Brower contacted as many of the top Rock & Roll stars of the 'fifties that they could find: Chuck Berry, Jerry Lee Lewis and Gene Vincent, along with Little Richard, Fats Domino and Bo Diddley. Some contemporary acts like The Doors and Chicago Transit Authority were added. Plus Lord Sutch, Tony Joe White, Doug Kershaw and Alice Cooper. The show was billed as the Toronto Rock & Roll Revival Show.But the ticket sales were inadequate. Rock revival shows had come and gone before. The novelty of seeing the veterans had worn thin. Only a dismal 800 tickets were sold by Monday September 8. On the verge of causing embarrassment and financial loss - one of the promoters, John Brower, made a desperate last minute phone call to Apple Corps in London. He asked for the Beatles, who hadn't by then, performed in three years. But only John could be reached. Brower then asked John Lennon if he could come over just to watch his idol, Chuck Berry, on stage. He immediately went one better and agreed to come… to perform.

But then he had to face the problem of organizing an ad-hock band. George's personal assistant, Terry Doran started making some phone-calls. First the rhythm section. Ringo was still recovering from an operation. Klaus Voormann, a friend from the Hamburg days, and at that time playing bass with Manfred Mann was duly located. Ex-Alan Price drummer Alan White came next. “John had seen me playing in a club with my band, Griffin, the evening before," recalls White, "I think it was at the Rasputin Club in Bond Street. A person who worked for him contacted me and said, ‘John wants you to work with him, to go and play with The Plastic Ono Band tomorrow in Toronto.’ I said, ‘Oh come on.’ He said, ‘No, seriously.’ I dismissed it. Then he called back later and said, ‘We’re sending a limo for you tomorrow to do this gig.’ I was supposed to be playing that night with my band and they got really upset because we had to cancel.

But the chosen lead-guitar player proved to be harder to find. John particularly wanted Eric Clapton. The guitarist had only returned back to England a week before, after a tiresome North American tour, with Blind Faith. Doran had already tried Clapton's home many times and got no answer. He worked right through the night trying to trace Eric until, finally, at 5.30 in the morning, he sent a telegram to Clapton's house and went to bed.The plane was due to take off at 10 am. By 9.30 most of the musicians and assistants had arrived at London Airport and clocked in. But there was no sing of Clapton nor … John and Yoko. A phonocall learned John had second thoughts about performing. “Send them flowers, Love from John and Yoko, we can’t come.”

Right then Terry rushed up with Eric Clapton behind him. Apparently, Eric had gone to bed at 11 o'clock and just hadn't heard the telephone. Fortunately his gardener opened up the telegram, woke him up and told him about the concert. Clapton managed to persuade John that they’d better made it on the next flight.

The party canceled the flight and re-booked on the 3.15 p.m. By that time the group had grown to
ten people:

John and Yoko, Eric Clapton, Alan White, Klaus Voormann, Anthony Fawcett (John's personal assistant), Mal Evans, Terry Doran plus Jill and Dan Richter. The Richter's had been busy putting all John and Yoko's recent activities on to film. They were due to make a permanent record of the Toronto concert.As a result of the rescheduled flight, there were only three first class seats available. So while John, Yoko and Eric settled in the front of the plane, the rest had to take place in the back. After the meal the three of them walked down the aisle to join the others to have their first rehearsal in the back of the plane. “It was one of the old Boeing 707s," remembers Alan White, "And it wasn’t full so we all went to the back of the plane and they sat around playing acoustic guitars while I played the drum parts on the back of the seat – I had a pair of drumsticks. Then we decided on the versions of the songs we were going to do – a lot of them were standards – and we were ready.” “With the noise of the jet engines nobody could hear my bass at all,” ads Klaus Voormann.

A set list was worked out on the back of an airline menu: some classics John remembered from the Cavern days, fleshed out with some recent compositions.

Yoko had some difficulty getting through Customs because she hadn't been vaccinated but, finally, the Immigrations let her through At the airport, a couple of limousines were waiting to transport the party the 18 miles to the Varsity Stadium.

Alan White confirms: “We got met at the airport by a whole entourage of cars, four or five limos. We ended up at the stadium and I got to meet Little Richard, Gene Vincent, and a bunch of people. It was like a dream."

At about 9:pm local time, the spotlights turned from the stage to the stands and focused on the press booth to show John & Yoko to the punters. The promoters had faced a lot of trouble persuading the public that the famous Beatle really would appear in person at the festival - even after phone calls from Fawcett and Lennon himself. A message from Allen Klein to categorically denies the appearance didn’t help either. But… the concert was a sell out - all 21,739 seats – just in case…

There was some discussion who was going to play as last act. John and Yoko didn’t want to follow The Doors and neither did Little Richard. In the end, it was decided that Little Richard would play before and The Doors after The Plastic Ono Band.

The stage was a 12 foot dais in the middle of the pitch facing half of the arena where the audience would sit.

They quickly gathered together back-stage and plugged all the guitars into one small amp and started running through the numbers they were going to perform.

Backstage tension mounted. John was getting physically sick with nerves during these rehearsals. The plane trip and the excitement of the whole thing became to much. This problem was perhaps exacerbated by his recent withdrawal from Heroin. The singer, producer and songwriter Kim Fowley, who acted as compere: “John threw up. And he started to cry. He said, ‘I’m terrified. Imagine if The Beatles were the only band you’ve ever been in, the first time you are to step on stage with people that aren’t The Beatles. Please do something so people won’t know how afraid I am to go out there.’ He was in a bad way.”

The Lennons asked Brower for some coke. He came up with six bottles of soda. Yoko had to explain to the naive young man that they didn’t need Coca-Cola, but cocaïne!

When the time came for John to go on stage, Kim Fowley had worked out something to make it easier.

“I had seen a movie a decade before,” explains Fowley, “Our Lady Of Fatima, where the Blessed Virgin appears in the sky and all the people light torches. So I figured, they all think John Lennon is God and this is a religious experience. So why don’t I take this to a religious level, subliminally, by recreating Our Lady Of Fatima with fire. I asked the Varsity Stadium to please turn off the lights and when I say the words ‘Plastic Ono Band’ I want everybody to light matches simultaneously to welcome John in a very friendly, beatified way. On the live album you’ll hear ‘Get your matches ready… Brower and Walker present The Plastic Ono Band, and 20,000 matches were lit. It was a beautiful amber glow and everyone let out a collective gasp. Lennon realized that here’s the moment that will take away the nervousness, and it was clear sailing for him all the way until the end.”

It was an unbelievable sight when thousands of little flickering lights shone all over the huge arena. ”It was fantastic," agreed John Lennon, "It was just getting dark. The lights were just going down. This was the first time I ever heard about this – I’d never seen it anywhere else – I think it was the first time it happened – they all lit candles, or lights…”

"Then John, Yoko Eric, Alan and Klaus were on stage, and lined up just like the old Beatles set-up," recalled Mal Evans, a month later, in Beatles Book, "Bass on the left, lead guitar next, then John on the right with the drummer behind. Each guitarist had two big speakers, one on either side of the stage, and the sound was really fantastic right from the moment they began." Drummer Alan White doesn't agree: “I never saw the drum kit until I walked on-stage, I had to readjust things as we were going out there. So it took us four or five minutes to tune up, get the snare drum in place and so on. I must admit it was not perfect.”

Lennon wearing his trademark white suit, long hair, granny glasses and full beard apologized quickly: "We're just goin' to do numbers we know, as we've never played together before". They kicked off the performance with Carl Perkins's 'Blue Suede Shoes'. ”I can’t remember when I had such a good time,” recalled Lennon later, “Yoko was holding a piece of paper with the words to the songs in front of me. But then she suddenly disappeared into her bag in the middle of the performance and I had to make them up because it’s so long since I sang them that I’ve forgotten most of them. It didn’t seem to matter.” “I think all of us were busking to a degree,” agreed Alan White, “but it went down in history.”

Two more rock 'n' roll classics followed: 'Money' and 'Dizzy Miss Lizzie' - both recorded and issued by the Beatles. From under her sheet Yoko kept adding impromptu and rather intrusive squeals and yells.

.John urged Yoko to come back out of her sack because he needed  the lyrics sheet for the next couple of recent songs. The White Album song, 'Yer Blues' was the first of these. Eric Clapton was already familiar with this tune as he had played it live with John at the Rolling Stones Rock 'N' Roll Circus. It was an anguished, if slightly shaky version.

‘Cold Turkey’ was introduced with the words, "Never done this number before… Best of luck". As the pedestrian performance reached a fumbled conclusion, John rather impatiently gibed at the audience’s lack of reaction: "Come on - wake up!".

For the intro to ‘Give Peace A Chance’ John told the crowd, "This is what we came for really, so sing along". He then proceeded to apologies that he could remember the chorus but not all the bits in-between! Not surprising it all was a bit chaotic.

Then John warned the audience "And now Yoko's gonna do her thing all over you". A storming performance of her message to her estranged young daughter ‘Don't Worry Kyoko’ was well received. Yoko wailed, cried and howled. Had they left the stage there and then, they could have expected a wild standing ovation. Instead, unaccompanied, she cried out the words “Oh John, Lets Hope For Peace” in agonizingly extended breaths, before the two guitarists forced gales of piercing feedback from their instruments, with sporadic bursts of percussion from Andy White. Nothing less than an assault on the ears. Promoter Bumps Blackwell, who was backstage remembers: “When Yoko started squalling, she sounded like a bull moose in mating season. Horrible. Like she was in pain. The kids started booing and then they started walking out. They bombed totally.”

“I remember they booed the Lennons” agrees Brian Simmons: “Especially Yoko.”

Mid-way through the piece John's nerves get the better of him and, in an attempt to placate some of the increasingly irritated members of the audience, he began to act the clown - shakin' his hips Elvis-style.

Then Yoko broke into a long series of sharp screams. After a few minutes John whispered something in Yoko’s ear - probably that it was time to make their exit. He placed his guitar against his amplifiers (thus continuing the feedback), and helped his wife of stage with his arm around her and a half-hearted wave goodbye. The band members followed his example, and walked to the back of the stage. Because they had already started the feed-back process, the sound continued while Klaus, Allan and Eric grouped together and lit cigarettes. Then Mal Evans walked on stage to turn off each of the swirling white noise generators one by one, to a mixed and confused reception from the perplexed audience.

Nevertheless, the band, despite the nerves and some of the reaction, had thoroughly enjoyed the experience. “It was a great gig,” confirms Eric Clapton, “We did an hour of solid rock numbers like ‘Blue Suede Shoes’ and ‘Dizzy Miss Lizzy’.”

There was a ten minute Press conference to conclude the day. "When it was over," recalled Mal Evans in Beatles Monthly, "We all piled into four big cars and drove for two hours to a huge estate owned by a Mr. Eaton, who is one of the richest men in Canada. His son had actually picked us up after the show so that we could stay overnight at his house.

The next day we got into golf-carts and went all over the estate. It really is a wonderful country. Miles and miles of trees, hills, lakes and green frogs."

During his stay there, John came to the decision that it was high time to finish the Beatles. He had clearly outgrown them, he informed Eric Clapton the next day, on the plane. Upon arrival he phoned Klein to break the news. But Klein convinced him to wait until the new contract with Capitol would be validated.

"After Plastic Ono Band's debut in Toronto we had a meeting in Savile Row," recalls Ringo Starr, "Where John finally brought it to a head. He said: `Well, that's it lads, let's end it'."

"I felt the split coming," explained Paul in March 1971, "And John kept saying we were musically standing still. One night, Linda and I were lying there, talking about it, and I thought, 'That's what I miss, and what they miss too: playing.' Because we hadn't actually played for anyone for a long time. And being an actual good musician requires this contact with people all the time. The human thing. So I came into the idea of going to village halls which hold a couple of hundred people. Have someone book the hall and put up posters saying, maybe, 'Ricky and Redstreaks, Saturday Night.' And we'd just turn up there in a van and people would arrive and we'd be there. I thought that was great. John said, 'You're daft.'

At this time John's thing was playing for 200,000 people because he'd been at a big festival or something. So he wanted to do that. And I can see now what he thought. I can see which way John sees progress. I see it sometimes another way.

We were talking in the Apple offices. Ringo was there - he agreed - and maybe George wasn't there. So then John says, 'Anyway, I'm leaving the group.' He said, 'I want a divorce.' He literally said, 'I want a divorce.' And for the first time ever, he meant it. So that just hit everyone. All of us realized that this great thing that we'd been part of was no longer to be. This was the chop. That hits anyone, no matter what it is. It's like leaving school, and you love it then it hits like a chop. Or whatever your thing is. Our thing was the Beatles."

It probably was the last time the four of them were together in the same building.

***

Of course the Toronto Rock 'n' Roll Revival Festival was recorded and filmed. Not only on videotape by the Richters, but also on 16 mm, by D.A. Pennebaker, using eight cameras. But at the insistence of Allen Klein and John Lennon, the performance of the Plastic Ono Band was omitted from the film Keep On Rockin’.

An album Live Peace in Toronto was produced by John and Yoko. "We tried to put it out on Capitol, but Capitol didn't want to put it out,' recalled John Lennon, "They said, 'This is garbage! We're not going to put it out with her screaming on one side and you doing this sort of live stuff.' But, we finally persuaded them that people might buy this. Of course, it went gold the next day. Klein had got a deal on that record that it was a John and Yoko/Plastic Ono Band record and not a Beatles record, so we could get a higher royalty, because The Beatles' royalties were so low. Capitol said, 'Sure you can have it. Nobody's going to buy that crap!' They just threw it away and gave it to us. It came out, it was fairly successful and it went gold."

The album sleeve was once again designed by John Kosh, and first editions included a John and Yoko calendar for 1970. The calendar had pictures, poems and songs. Curiously, it only featured pictures of John and Yoko from their first year together in 1968 - no more recent 1969 shots. The poems were taken from John (In His Own Write & A Spaniard In The Works) and Yoko's (Grapefruit) printed works. Particularly interesting are the poems by John on the top leaf, which originally appeared in recorded form on the Beatles 1968 Christmas record, they appeared in print for the first time here.

Live Peace in Toronto was worldwide released on December 12th 1969. It failed to chart in the UK, while in the USA it reached the Top Ten. First pressings - with stapled calendar is worth about € 110.

Although the LP was deleted in November 1989, a cd was not issued by EMI until may 1995, several years after all of John's other musical offerings had been issued on the silver disc. The cd cover indicates that it was re-mixed from the original 8-track tapes by Rob Stevens at "Quad Recording" and digitally remastered by George Martino at Sterling Sound. A 32 page booklet is included, with the 13 month calendar.

In 1988 Pennebaker's movie could finally be released, with the complete Plastic Ono Band concert in it's place. The title was now changed to Sweet Toronto. Bo Diddley, Jerry Lee Lewis, Chuck Berry and Little Richard were each represented with one song. There was no footage from The Doors as they had refused to give permission to be filmed. Interestingly, the mix used for the video makes Yoko's contributions to tracks like 'Yer Blues' much more obvious.

Ten years later, Sweet Toronto was also released on DVD (PA-98-584-D). The Dolby Digital 5.1 mix was created by Ted Hall using the original two track mix. The only real extra on the DVD is the opening with Yoko Ono. It is a clip taken from when John Lennon's art was being exhibited in London in 1988. Yoko tells about how they met, what it was like to be in Toronto in 1969 and the naming of the Plastic Ono band.

RUNNING FOR THE DANCE HALL LIGHTING SPEED LOOKING FOR MY BABY WONDER WAS SHE DEAD

YOU SHAKE MY NERVES AND YOU RATTLE MY BRAIN

THE GUY BEHIND YOU WON'T LEAVE YOU ALONE

WE'VE BEEN SO CAUGHT UP IN THE SUBJECT OF CIRCUMSTANCE

DON'T WORRY DON'T WORRY DON'T WORRY DON'T WORRY DON'T WORRY

WHAT HAVE THEY DONE TO THE EARTH WHAT HAVE THEY DONE TO OUR FAIR SISTER

Alabama Shakes - Mega Post (2011-2016)

 

 

Alabama Shakes - Standard Deluxe
May 11, 2011
Waverly, Alabama
Matrix recording @vbr & flac

Set List
1. Going To The Party
2. Hold On
3. Hang Loose
4. I Found You
5. Worryn’Blues
6. Boys &Girls
7. Be Mine
8. Heat Lightning
9. I Ain’t The Same No More
10. Rise To The Sun
11. On Your Way
12. Mama
13. You Ain’t Alone
14. Heavy Chevy

vbr

flac

 

* * * * * * 

Alabama Shakes - Live Glastonbury Festival
June 29, 2013
Pilton, England
Soundboard @320

 

Set List

1.Rise to the Sun
2.Hang Loose
3.Hold On
4.Always Alright
5.I Found You
6. Heartbreaker
7.Gospel Song
8.Be Mine
9.I Ain't the Same
10.On Your Way
11.Making Me Itch
12.You Ain't Alone
13.Mama
14.Heavy Chevy

+!!+

 

* * * * * *

 

Alabama Shakes - Live Glastonbury Festival
June 26, 2015
Pilton, England
Soundboard @HQvbr


Set List
1.(Intro)
2.Dunes
3.Rise to the Sun
4.Always Alright
5.Future People
6.Heartbreaker
7.Miss You
8.The Greatest
9.Be Mine
10.You Ain't Alone
11.Over My Head
12.Don't Wanna Fight
13.Gimme All Your Love

#&#

 

* * * * * *

Alabama Shakes - Live Lollapalooza Festival
March 13, 2016
Sao Paulo, Brazil
Soundboard @HQvbr



Set List
1.(Intro)
2.Future People
3.Dunes
4.Rise to the Sun
5.Hang Loose
6.Shoegaze
7.Miss You
8.Be Mine
9.The Greatest
10.Hold On
11.You Ain't Alone
12.Over My Head
13.Don't Wanna Fight
14.Gimme All Your Love

)%(

Thanks to Tommy Mariano and the original sources!

 

pass -fbsvw

The Raconteurs - British Radio Sessions 2006

The Raconteurs - British Radio Sessions
Three separate sessions, all recorded in March of 2006. They are the Dermot O'Leary (1-5) and Zane Lowe (6-8) BBC shows, and an XFM session.
FM Source @192

 

01. Interview
02. Steady As She Goes
03. Interview
04. It Ain't Easy (David Bowie cover)
05. Outro
06. Store Bought Bones
07. Call It A Day
08. Intimate Secretary
09. Interview
10. Level
11. Intimate Secretary
12. Steady As She Goes
13. Together
14. Hands

 

Thanks to the original source!

pass- fbsvw

 

 /^^\

 

}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}

 

 

 

 

John Hiatt - 1987-10-10 Schauburg, Bremen

01 Alone in the Dark

02 Tennessee Plates

03 Tip of my Tongue

04 Thank you Girl

05 Learning how to Love you

06 Love Like Blood

07 Doll Hospital

08 She Loves the Jerk

09 Pink Bedroom

10 Lipstick Sunset

11 I Don't Even Try

12 Radio Girl

13 Across the Borderline

14 Your Dad did

15 Have a Little Faith in me

16 Crazy Little Thing Called Love

17 Ring a Bell

18 Riding With the King

19 Lake Charles

@!@

pw: mghg

webcast

 

greetings from the hermetic garage

Captain Beefheart - Live Reseda, CA. 1981

Rebooted...
Originally posted January 18, 2015

Captain Beefheart - Live The Country Club
Reseda, CA.

January 29, 1981

aka - Best Batch Yet

Vinyl rip @320

Tracks:
SIDE 01
01 Nowadays A Woman's Gotta Hit A Man
02 I Wanna Find A Woman That'll Hold My Big Toe 'Til I Have To Go
03 Hot Head
04 Ashtray Heart
05 Dirty Blue Gene
06 The Smithsonian Institute Blues (or The Big Dig)
07 Sue Egypt

SIDE 02 (20:01)
08 Best Batch Yet
09 Safe As Milk
10 One Red Rose That I Mean
11 China Pig
12 Spitball Scalped The Baby

SIDE 03 (20:05)
13 Doctor Dark
14 Bat Chain Puller
15 My Human Gets Me Blues
16 Sugar N' Spikes
17 Sheriff Of Hong Kong

SIDE 04 (22:24) - OFFICIAL TRACKS REMOVED
18 Kandy Korn
19 Veteran's Day Poppy
20 Big Eyed Beans From Venus
21 Hard Workin Man (OMITTED)
22 Light Reflected Of The Oceands Of The Moon (OMITTED)


the BAND
JEFF MORIS TEPPER jeff tapir / white jew * guitar * slide guitar
RICHARD SNYDER midnight hatsize * guitar * slide guitar * bass guitar
ERIC DREW FELDMAN black jew kittaboo * bass guitar * keyboards * synthesizer ** mandolin
ROBERT WILLIAMS wait for me * drums * percussion
DON VAN VLIET captain beefheart * vocals * tenor sax * soprano sax * harmonica
guest GARY LUCAS ** national steel dualion
guest DENNY WALLEY feeler's reedo / walla walla ** guitar

info from:
http://www.freewebs.com/teejo/live/81batch.html

Boat and Blue Bodagress - Don Van Vliet, 1984

 

^%%^

Captain Beefheart & The Magic Band - The Spotlight Kid Outtakes

Rebooted...
Originally posted November 20, 2011 and August 25, 2014

Captain Beefheart & The Magic Band 

The Spotlight Kid Outtakes &

Other Studio Sessions

 Studio Recordings @320

 

Pompadour Sessions

Record Plant Studios, Los Angeles: May 1971

I'm Gonna Booglarize You Baby Jam (Take 1)
I'm Gonna Booglarize You Baby Jam (Take 2)
Pompadour I (Take 1)
Pompadour I (Take 2)
Pompadour II (Take 1)
Pompadour II (Take 2)
Pompadour II (Take 3)
Pompadour II (Take 4)
Pompadour II (Take 5)

The Spotlight Kid Outtakes Songs

Record Plant Studios, Los Angeles: May - September 1971

Funeral Hill #1
Drink Paint Run Run
Seam Crooked Sam #1
Dirty Blue Gene #1
Kiss Me My Love
Alice In Blunderland
Clear Spot
Low Yo Yo Stuff
Seam Crooked Sam #2
Funeral Hill #2

The Spotlight Kid Instrumental Sketches

Record Plant Studios, Los Angeles: May - September 1971

Semi-Multicoloured Caucasian
Dual & Abdul
Open Pins
Ballerino
Best Batch Yet #1
Suzy Murder Wrist
Obenso Cinco
The Witch Doctor Life
Little Scratch #2
Flaming Autograph
Love Grip
No Flower Shall Grow
Best Batch Yet #2
Your Love Brought Me To Life (Take 1)
Your Love Brought Me To Life (Take 2)
That little Girl
Campfires

Sun Zoom Spark Session

Early 1972 (mono)

Intro
Sun Zoom Spark #1
Scratch My Back
Blues Medley: Down In The Bottom; Key to The Highway; Grandpa Don't Love Grandma No More
Sun Zoom Spark #2

Brown Star Sessions

Amiga Studios, Sherman Oaks, North Hollywood: Summer 1972

Sun Zoom Spark #3
Funeral Hill #3
Harry Irene
Little Scratch #2
Dirty Blue Gene #2

Spot Out pt1
Spot Out pt2

*     *     *     *     *     *     *     *     *     *   *  *

Claypool Lennon Delirium LIVE in Atlanta GA 2019

 

The Claypool Lennon Delirium 

SweetWater 420 Fest

SweetWater Stage

Centennial Olympic Park

Atlanta Georgia

2019-04-21

HDTV Webcast @320

01. There’s No Underwear In Space (Intro)---Astronomy Domine---

02. Little Fishes

03. Cricket and the Genie (Movement I, The Delirium)---Cricket and the Genie (Movement II, Oratorio Di Cricket)---Banter

04. South of Reality

05. Blood and Rockets: Movement I, Saga of Jack Parsons---Movement II, Too the Moon

06. The Court of the Crimson King---Banter

07. Easily Charmed by Fools

08. Boriska

09. Breath of a Salesman---Banter

10. Boris the Spider

11. Cricket Chronicles Revisited Part 1, Ask Your Doctor---Part 2, Psyde Effects

12. Mr Wright

13. Like Fleas

14. Tomorrow Never Knows

A Glorious Freak Stew

Alabama Shakes - Live World Cafe 2012

Alabama Shakes - Live World Cafe
April 9, 2012
Philadelphia, PA.
Digital soundboard @flac

The Recording:
Master -    soundboard > DAT recorder
Clone -        DAT master > HHB CDR recorder

 

The Performers:
Brittany Howard – lead vocals, rhythm guitar
Zac Cockrell – bass
Heath Fogg – lead guitar, backing vocals
Steve Johnson – drums, backing vocals
Ben Tanner - keyboards

 

Set List:
Intro
Goin To The Party
Hold On
Hang Loose
I Found You
Always Alright
Boys & Girls
Be Mine
Hurricain Strut
Rise To The Sun
Mama
Making Me Itch
You Ain't Alone
Heavy Chevy

Encore
I Ain't The Same
On Your Way
Heat Lightning

Encore 2
How Many More Times

 

Thanks to Tommy Mariano for supplying this show!!

 

 

pass - fbsvw

}+{

Savoy Brown - B.B.C. Sessions 68-71

 

                                             *THANKS TO THE ORIGINAL POSTER

                                              CHRIS YOULDEN-VOCALS

                                              KIM SIMMONDS-GUITAR

                                              LONESOME DAVE PEVERRETT-GUITAR&VOCALS

                                              RIVERS JOBE-BASS

                                              ROGER EARLE-DRUMS

                                               SEE SCANS    Hope I didn't step on anyone's toes here

                                 I'M TIRED OF TRYING TO BE SOMETHING I KNOW AIN'T ME

Television - New York Stories {1975-76}

Rebooted by request...
Originally posted March 11, 2014

Television - New York Stories (live 1975-76)
AUD B+ @Flac
all tracks from CBGBs unless otherwise noted.

From the Dave Sez archive: 
The last of the series of Television bootleg CDs from Japan, thanks to the great StevieD!

 

Track List:
01. Breakin' In My Heart
02. I Don't Care
03. Little Johnny Jewel
04. Foxhole
05. Double Exposure
06. Prove It
07. Hard On Love
08. Judy
09. O Mi Amore
10. Let Me Out
11. See No Evil
12. Guiding Light
13. Grip Of Love
14. Elevation
15. Adventure
16. Whatcha' Doin' On Them Stairs? (aka Come On In)

track 1-5: June 15,1975
track 6: August 8,1975
track 7: August 2,1975
track 8: October 18,1975 (Mothers)
track 9-12: December 31,1976
track 13-14: March 12,1976
track 15: December 31,1976 (NY Palladium)
track 16: April 1975

New York Stories

McPhee - self titled (1971)

McPhee - self titled (1971)

Studio soundboard @320

{Out of Print}

The one and only LP release by this Aussie progrock band...

Benny Kaika, Faye Lewis, Jim Deverell, Terry Popple, Tony Joyce

 

01. The Wrong Time
02. Sunday Shuffle
03. Southern Man
04. Indian Rope Man
05. Superstar
06. I Am The Walrus
07. Out To Lunch

 

pass - fbsvw

&==&

Stills - Young Band Providence Civic Center Providence, RI 7 July 1976

Master audience recording taped by Dan Lampinski

Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)

    
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
  16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes

Who is Dan Lapinski?
Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978.  His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity.  In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes.  He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings.  In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.

He recorded many of the major 70's bands:  Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several "under the radar" acts.

Since Dan never traded copies of his recordings, they are all essentially uncirculated.  Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes.  No EQ'ing has been done to any of the transfers.  Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.

Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community.  Please honour his kindness and generosity by sharing these recordings freely.

CD1
Electric Set
01 Love The One You're With
02 The Loner
03 Helpless
04 For What It's Worth
05 Long May You Run  
06 Black Queen
07 Southern Man

Acoustic Set
08 Sugar Mountain (spliced)
09 Midnight On The Bay
10 After The Goldrush
11 Word Game
12 49 Bye-Byes >
13 Circling >
14 49 Bye-Byes
15 Treetop Flyer

CD2
01 Blackbird
02 Heart Of Gold
03 Ohio  

Electric Set
04 band introductions
05 Buyin' Time
06 Let It Shine
07 Make Love To You
08 Cowgirl In The Sand
09 Mr. Soul
10 E: Suite: Judy Blue Eyes

Jerry Aiello - keyboards
Joe Lala - percussion, vocals
George "Chocolate" Perry - bass, vocals
Stephen Stills - guitar, vocals
Joe Vitale - drums, vocals
Neil Young - guitar, piano, harmonica, vocals

Always remember - the more generous you are with your music, the more it comes back to you.

From the original poster:  Tony Tiger!!

 

Enjoy or not!!

Widespread Panic - January 3, 1989 John Keane's Studio Athens, GA

Source:  Soundboard > Cass > DAT > CD-R (seed CD-R courtesy of Scott Sebok)

Remaster:  Wavelab 5.0 (20 band EQ, + gain, de-clicker) > CDWave > FLAC v.1.7.1 > .flac (6)
Remaster by:  BobbyHurley

Notes: This is a very earl show and also is an excellent show from Widepread Panic. It features the origional guitarist Michael Houser with the original line up. These years from 1989 to 1999 are my favorive years and I think the best years for Widespread Panic. Michael houser was a promising guitarist one of the best I had ever seen. I highly recomend this show for your listening enjoyment.

Band Members:
John Bell
Michael Houser
Todd Nance
T Lavitz
George McConnell
Dave Schools

Set 1
01)  C. Brown
02)  Pigeons (v.1)
03)  Barstools & Dreamers
04)  The Last Straw
05)  Conrad the Caterpillar
06)  Machine Funk
07)  Holden Oversoul
08)  Jack (fades out)

Set 2
01)  // Impossible (fades in)
02)  Disco
03)  Gimme
04)  Wishbone
05)  Pigeons (v.2)
06)  Liza's Apt.
07)  A of D
08)  B of D
09)  Contentment Blues

Filler:  John Bell solo acoustic (studio)(date unknown)

10)  Little Lilly
11)  Climb to safety

-----------------------------

Enjoy or not!

Enjoy if you can!!!

The Sundays - Mega Post

All shows submitted and courtesy of our friend Fredric!!

The Sundays - Leicester University
December 3, 1992
Very good audience @flac

/##\

*******************************

The Sundays - La Luna Theatre
March 17, 1993
Portland, Oregon
[Dream Remaster]

Very good Audience@320

 

Track List:

01 - I Won
02 - Can't Be Sure
03 - What Do You Think?
04 - On Earth
05 - Medicine
06 - My Finest Hour
07 - Joy
08 - More
09 - Blood On My Hands
10 - Here's Where The Story Ends
11 - A Certain Someone
12 - Goodbye
13 - I Kicked A Boy
14 - Love
15 - Turkish
16 - Hideous Towns

#$#

*******************************

 

 

 The Sundays - Den Haag, Holland
March 2, 1990
FM Source @vbr

 

01 Here's Where the Story Ends
02 I Won
03 I Kicked a Boy
04 A Certain Someone
05 Joy
06 What Do You Think
07 Skin and Bones
08 Something Normal
09 My Finest Hour
10 Hideous Towns
12 Can't Be Sure

 

!++!

 

 

*******************************

 

 

The Sundays - Black Session 1992

Black Session no. 17

Dec. 15, 1992

 Radio Inter
Paris, France

FM source @320

 

 

01 I Won
02 Can't Be Sure
03 What Do You Think?
04 Joy
05 On Earth
06 Medicine
07 My Finest Hour
08 Here's Where the Story Ends
09 More
10 Hideous Towns 

=%=

Captain Beefheart - Ice Cream For Crow Backing Tracks 1982

Rebooted as requested ...
Originally posted November 30, 2015 & September 19, 2017

Captain Beefheart & The Magic Band

Studio Sessions

Ice Cream For Crow Backing Tracks

June-July 1982

Warner Bros. Recording Studios

North Hollywood, California

Soundboard @320

That's right folks, the instruments only!

Track List:

01. The Host, The Ghost The Most Holy-O

02. Ice Cream For Crow

03. Cardboard Cutout Sundown

04. Witch Doctor Life

05. The Past Sure Is Tense

06. Hey Garland, I Dig Your Tweed Coat

07. Semi-Multicoloured Caucasian

08. Witch Doctor Life

09. Ice Cream For Crow

10. Semi-Multicoloured Caucasian

11. The Past Sure Is Tense

12. Hey Garland, I Dig Your Tweed Coat

13. Witch Doctor Life

Thanks to the people that share on DC++

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Richard Ashcroft - Science Of Live F.M. Broadcast

 

Some of this guy's stuff leaves me cold. But when he's on, he is one of the finest songwriters going. See Scans (Sorry for the extra T's my keyboard keeps sticking and I didn't notice it)

HERE WE GO AGAIN IN YOUR ROOM YOUR IDOL PLEASURES THE SINKING SANDS PERHAPS I COULD MAKE IT BETTER 

Oasis-Supersonic Live Cabaret Metro Chicago 11-94

 

                                Hey this is my rip so I don't have to thank the original poster

                                                                   See  Scans

                             WHEN I WAS YOUNG I THOUGHT I HAD MY OWN KEY                           

                                                    

The Beatles-Sessionography 62, 63, 64, 65, 66, 67 (Eight Discs)

 *THANKS TO THE ORIGINAL POSTER

Hopefully this will keep you busy for a bit. See scans

I THINK OF YOU THE THINGS YOU DO THE THINGS YOU SAID

I DREAM OF YOUR FIRST KISS AND THEN UPON MY LIPS AGAIN

BUT WHEN I GET HOME TO YOU I FIND THE THINGS THAT YOU DO

ALTHOUGH I LAUGH AND I ACT LIKE A CLOWN

I THINK I'M GONNA BE SAD I THINK IT'S TODAY

YOU TELL LIES THINKING I CAN'T SEE

OF THE BEGINNING OF THE BEGINNING OF THE BEGINNING

WE HOPE YOU WILL ENJOY THE SHOW