01. Toys Go Winding Down
02. Frizzle Fry
03. John the Fisherman
04. Spaghetti Western
05. Harold of the Rocks
06. Mr. Know it All
07. Groundhog's Day
08. Tommy the Cat > The Jam (Graham Central Station)
09. Too Many Puppies
Iggy Pop - Live Milano, Italy
October 27, 1993
Soundboard @320
Liberated bootleg aka "Tough Guys Do Dance" (teddy bear records)
Recorded live Milano-October 27th 1993 (1/14)
FM broadcast-1993 (15)
Set List:
01. Down On The Streets
02. Raw Power
03. T.V. Eyes
04. Hate
05. Real Wild Child
06. Loose
07. I Wanna Be your Dog
08. The Passenger
09. Fuckin'Alone
10. Lust For Life
11. Wild America
12. Home
13. Sickness
14. Louie Louie
15. I Wanna Be Your Dog (Acoustic Version)
Personnel:
Bass – Hal Gragin
Drums – Larry Mullins
Guitar – Eric Schermarhorn
Vocals – Iggy Pop
All Jethro Tull shows here >>>
Brand X - The Bottom Line
New York City, NY.
October 31, 1978
aka - Rated X
Soundboard or FM Source @320
Setlist:
1 The Ghost Of Mayfield Lodge 18:04
2 Earth Dance 14:07
3 Black Moon 08:46
4 Nuclear Burn 12:07
5 Deadly Nightshade 19:49
Morris Pert: Percussion
Mike Clark: Drums
Mike Miller: Guitar
John Goodsall : Guitar on "Access to Data" & "The Poke"
Percy Jones: Bass
Peter Robinson: Keyboards
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Tracks
Let's Have A War
Fresh Flesh
I Love Livin' In The City
I Don't Care About You
I'm Back
Intro/Waiting For The Gas
Disconnected
Fetch Me One More Beer
Here We Go Again
Love The Girls
Three Blind Mice
Cat Fight
Fuel Injected Papa
August 29, 1991
1- Oh My Lover
2- Victory
3- Shela-na-gig
4- Water
October 28, 1992
1- Me Jane
2- Ecstasy
March 12, 1993
1- Primed and Ticking
2- Claudine the Inflatable One
3- Wang Dang Doodle
4- Naked Cousin
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Smashing Pumpkins - Reel Time Sessions 1989
Studio soundboard recordings @flac +vbr
Two bootlegs from early Smashing Pumpkins studio sessions - tracks 1-20 are full-band electric, tracks 21-33 are just Billy on acoustic. Some of the songs were used to make the Moon demo tape, others were released on Gish or as singles, and some have been left in the past.
****
More recording sessions with Mark Ignoffo, intended to constitute the first Smashing Pumpkins album. Fortunately for the future of the band, these sessions did not produce an album as anticipated but the second demo tape Moon. Billy Corgan also compiled a tape from these sessions called Gish, used for bookings and label solicitation in 1989 and 1990. Corgan also made a number of homemade mix tapes for friends and fans that featured different configurations of material from these sessions. While about half of the sessions have appeared on various releases, the remaining half can be found on bootlegs, the highest quality as unmastered final mixes compiled on a DAT tape that had belonged to Mike Potential.
According to Corgan, the album originally came from Smashing Pumpkins'
early vow of poverty. "The roots of Gish are the fact that the band had a
policy then that nobody made any money from the shows, so we could save
up to record," he explains. "It was amazing that everyone agreed to it
because none of us had any money back then. So by 1989 we had collected a
couple grand from playing club gigs. A guy named Mark Ignoffo, who
lived in the neighborhood near where I worked at the used record store,
had just graduated studio-engineering school. It turned out he had set
up a studio in his parents' basement, so in 1989 we took that saved
money and made an album — even though we had no one to make an album
for. There was absolutely nobody interested in our band. So we just made
an album-plus worth of material hoping somebody would become
interested. And if you listen to that material, it sounds very much like
Gish turned out. ~ More at Fandom
*THANKS TO THE ORIGINAL POSTER
Rebooted by request...
Originally posted May 4, 2015
Set List:
01. Shake Your Money Maker
02. I Don't Know
03. JLH Intro >One Monday Morning *
04. I Don't Know *
05. Boom,Boom *
06. Serve Me Right To Suffer *
07. High Heeled Sneekers *
08. Boogie Chillin' *
09. Jam
* with Carlos Santana
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Rebooted...Originally posted February 26, 2014
Upgraded links!
A big round of applause and thanks to plaz_restore, Bocci, nobody and every one who worked on this and helped shared it among the fans.
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TRACKLIST:
01 Dames, Booze, Chains & Boots
02 Muleskinner Blues
03 Aloha From Hell
04 Bop Pills
05 Everything Goes
06 Creature From The Black Leather Lagoon
07 Hipsville 29 B.C.
08 Bend Over, I'll Drive
09 I Wanna Get In Your Pants
10 Hard Working Man
11 Goo Goo Muck
12 Miniskirt Blues
13 Sunglasses After Dark
14 Two-Headed Sex Change
15 Blow Up Your Mind
16 Eyeball In My Martini
17 Alligator Stomp
18 Shortnin' Bread
19 The Crusher / Surfin' Bird (only the beginning)
Thanks to the original poster and source!
Before Powerman 5000 went in an industrial
metal direction, they crafted a unique sound like no other and defined
the variety of nu metal at its core. They blended hip hop, their own
stoner-sounding rapping, knockout metal grooves, funky bass, 70's metal
style soloing, varied percussion, and more in a seamless mix. Incredibly
fun too, perfectly both creative and entertaining. It's like Clutch
making a nu metal album.
Mega!! Kung Fu Radio is booming with
personality, infectious hooks, heavy grooves, high energy, and Spider
One's deadpan delivery of abstract lyricism. What separates Powerman
from other rap metal bands is how perfectly they play in both genres.
They aren't just rapping over metal riffing, they're blending chunky
metal grooves with funky hip hop rhythms seamlessly like they were meant
for each other. It's a perfect way to get a metal fan into hip hop, or
vice-versa.
I love this whole album, so it's hard to really
highlight any particular song, describing the sound as a whole is a lot
easier. However, Organizized, 20 Miles to Texas 25 to Hell, Standing 8,
and hidden track File Under Action are some particular favorites if I
had to choose. File Under Action is the purest hip hop track on the
album, with a perfect use of a droning atmosphere and effective
placement of guitar riffing and feedback that's made ultra-heavy
whenever it appears. Spider One carries great flow throughout the album,
but this is among his best performances.
The 90's were an
incredibly creative time for music, and Powerman 5000 shows some of the
best part of that for both the world of metal and hip hop. ~Metal Archives
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