This NOT part of the officially released Miles at the Fillmore - Miles Davis 1970: The Bootleg Series, which was recorded on 6-17-70.
Miles played 4 nights at the Fillmore East June 17 thru 20th.
Band: Miles Davis (trumpet) Steve Grossman (saxaphone) Chick Corea (elct. piano) Kieth Jarrett (organ) Dave Holland (bass) Jack DeJohnette (drums) Airto Moreira (perc.)
Set List 01 - Directions 02 - The Mask 03 - It's About That Time 03 - I Fall In Love Too Easily 04 - Sanctuary 05 - Bitches Brew/The Theme
One half of the songwriting team from the Drive-By Truckers.
Set List: 01. Intro
02. Loaded Gun In The Closet
03. Uncle Frank
04. Cartoon Gold
05. Where The Devil Don't Stay
06. Behind Closed Doors
07. Birthday Boy
08. Guitar Man Upstairs
09. 3 Dimes Down
10. Sounds Better In The Song
11. Space City
12. Self-Destructive Zones
13. 72 (This Highway's Mean)
14. Carl Perkins' Cadillac
15. Panties In Your Purse
16. Checkout Time In Vegas
17. Marry Me
18. Zip City
19. Get Downtown
20. Pin Hits The Shell
21. Eyes Like Glue
Encore: 22. Cottonseed
23. Women Without Whiskey
24. Shut Up & Get On The Plane
25. Love Like This
UV splattered French cyberpunx PUNISH YOURSELF give us a dose of their live racket care of Canada's cult digital hardcore home D-Trash. A ferocious blend of industrial, hard as nails punk, digital hardcore and techno, Punish Yourself have no idea how to do subtle. Searing Ministry style guitars tear across breakbeat and gabba chaos while synth noise glitch and bleep. At times it sounds like EC8OR have teamed up with Skinny Puppy and Alien Sex Fiend while at others it's Ultraviolence fighting with Nine Inch Nails and Knuckledust. I love it when bands cross contaminate the musical gene pool, f#$@ that staying true to your scene, if you're bored start a new one and on the way throw the whole lot in the faces of the rigid scenesters who won't except progress. If you don't understand the need for the integration of machines and instruments into the continuing evolution of punk then stay at home, the revolution will continue on without you."
-TERRORIZER MAGAZINE
The bastard zombie children of KDFM, Ministy and NIN...
Track List:
Slinky - No One To Talk With
Rock'n Roll Machine
Suck My TV
Gimme Cocaine
I Like It
Night Of The Hunter
Old Brother Left Band
Night Club
Bikini Bitch
Salvation Is A Last Minute Business / Soul Power Hunter
For those that may have missed the BBC Sessions...
My Bloody Valentine - The Early Years
This Dublin-born band didn't take long to establish itself as the cornerstone of a loose, largely media-built coalition of bands playing aggressive (and aggressively opaque) pop music that stood in direct opposition to both rockism and the twee bedsit romanticism of the pallid anti- rockists. But while most of the embryonic shoegazers maintained a tacit connection with pop tradition, My Bloody Valentine gradually transformed its lexicon via radical addition-by-subtraction: by the dawn of the '90s, the band had reinvented itself as a herald of sound as sacrament.
Man You Love to Hate – Live Berlin (1985) 1.Scavengers 2.Devil Made Me Do It 3.The Love Gang 4."Inferno 5.The Man You Love to Hate 6.Homelovin' Guy 7.A Town Called Bastard 8.Tiger in My Tank
Set List: 01. John The Fisherman 02. Those Damned Blue Collar Tweekers 03. Highball With The Devil 04. Those Damned Blue Collar Tweekers 05. Jerry Was A Race Car Driver 06. Shake Hands With Beef 07. My Name Is Mud 08. Over The Falls 09. Seas Of Cheese 10. Coddingtown 11. Tommy The Cat 12. The Awakening 13. 27 Seconds Of Brain 14. Tommy The Cat
Robert King on vocals, Paul Research on lead guitar, John Mackie on bass, and Calum Mackay on drums. Their debut single "Adultery" / "Horrorshow" was released in 1979 on Fast Records, with both tracks showcasing the bands raw and gritty live performances. A further two singles were released in 1980. "They came and took her" and "Love song" both kept the bands edge but with a slightly more polished sound. The Scars released their album "Author! Author!" in 1981. Read More about Scars atThe Guardian
Track List: 1 Leave Me In Autumn 2 Fear Of The Dark 3 Aquarama 4 David 5 Obsessions 6 Everywhere I Go 7 Lady In The Car With Glasses On And A Gun 8 Je T'Aime C'Est La Morte 9 Your Attention Please 10 All About You 11 Silver Dream Machine 12 She's Alive 13 All About You (Single Version) 14 Author! Author! 15 Love Song 16 Psychomodo 17 They Came And Took Her 18 Romance By Mail
As a group of young, scruffy dudes from northern California, Monophonics have no business grooving as hard as they do. Those sounds belong to another time and another place.
Whether the result of, or the impetus for, the Stranglers' penchant for covering rock'n'roll standards (or just an indication of artistic burnout), J.J. Burnel and D. Greenfield launched a just-for-kicks sideband with Stranglers' saxman Alex Gifford (also piano with Van The Man & half of the Propellerheads), ex-Vibrators guitarist John Ellis (he had opened for the Stranglers in the 1970s as a member of The Vibrators, filled in for H. Cornwell during his time in prison in 1980 and became the future Stranglers' guitarist during near ten years) and Manny Elias ( drummer for : Interview , Tears for Fears , P. Gabriel, etc...). On two similarly titled but totally different albums, the Purple Helmets (nice name...) do nothing but relive the songs of their misspent youth. Whether they're playing "Woolly Bully," "I Can't Explain," "Over Under Sideways Down" and "Not Fade Away" on the live "Ride Again" or "She's Not There," "Money" and "First I Look at the Purse" on "Rise Again", a slightly more accomplished studio concoction. The Purple Helmets approach their chosen jukebox classics with the enthusiasm of teenagers and the skill of seasoned professionals.
~TrouserPress
Track List: "Brand New Cadillac" "I'm Crying" "Rosalin" "She's Not There"(*) "First I Look At The Purse" "Get Yourself Home" "Oh Pretty Woman" "Homework" "Don't You Like What I Do" "Money" "Under The Sun" "Baby Let Me Take You Home" "Sha La Lee" "Baby" "Everything's Alright"
(*) J.J. sings lead vocals
Alex Gifford: Lead Vocals J.J.Burnel: Bass & Vocals John Ellis: Guitar & Vocals Dave Greenfield: Keyboards Manny Elias: drums
...to check out post comments in the "What You're Saying" section on the right sidebar!
January 6, 2015 at 4:56 AM
Not that anyone 'cept silent and me is watching, but a very recent Television gig 28.12.14 has been kindly provided by circle; check here:
New Model Army - Vengeance (The Independent Story) 1980-1984
Studio Recordings @320
{Out of Print}
Track List:
1-Bittersweet 2-Betcha 3-Tension 4-Great Expectations 5-Waiting 6-Christian Militia 7-Notice Me 8-Smalltown England 9-A Liberal Education 10Vengeance 11-Sex (The Black Angel) 12-Running In The Rain 13-Spirit Of The Falklands 14-The Price 15-1984 16-No Man's Land 17-Great Expectations (The Peel Session) 18-Notice Me (The Peel Session)
Wilco Fantasy Studios, Berkeley, CA September 4, 1997 KFOG-FM TDK MA110 master copy > Audacity > wav 01. KFOG Intro 02. True Love Will Find You In The End 03. Forget The Flowers 04. That's Not The Issue 05. Someday Soon 06. New Madrid 07. studio chat 08. Hotel Arizona 09. The Lonely 1 10. Far, Far Away 11. Kingpin 12. Casino Queen 13. Outtasite (Outta Mind) This show is digitized directly from my high-bias metal cassette that I recorded off the air. Sound quality is excellent. This is a radio "in studio" live show, recorded in front of a small audience of 20 to 30 people. They do "Outtasite (Outta Mind)" as a country shuffle with a bit of pedal steel guitar in the background, instead of the power chord rock version that was on the single. https://mega.co.nz/#!nBQzHDya!gSiGdelD6lQE3Xgjg3FiJTqRiRfW5V014QAgKHDns5E
Rebooted...Originally posted by Doomcan September 2, 2012
John Lee Hooker - Live Wise Fool's Pub November 9, 1976 aka-Bedroom Boogie Soundboard @320
John Lee Hooker's show at the Wise Fools Club, Chicago, on 9 November 1976. Sourced from an FM broadcast, with a couple of audience members very audible. The performance is brilliant, with JLH fired up and full of energy, and the crowd enthusiastic. Highly reommended. --- bootlegzone.com
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I don't have a problem with taking down the pictures of the girls to keep the blog up. What I have a problem with is Google's nebulous definition of "sexually explicit or graphic nude images" and them deciding what is and isn't"graphic" or "explicit"and then torpedoing ANY BLOG they do not like.
We get almost 1,500 hits a day at this blog but no one has much of anything to say. The music we post is getting downloaded like there will be no tomorrow. I'm getting to the point of giving up. There is no satisfaction for posting to a mute audience. ~The Management
Elvin Jones is best known for his work with John Coltrane during the first half of the '60s, but who has also played with everyone from Miles Davis to Sonny Rollins to Grant Green to Duke Ellington. "New Agenda" was Jones' first release for Vanguard in 1975. There's a pretty heavyweight reeds section behind him here - mainstay Steve Grossman with help on different tracks from Azar Lawrence, Joe Farrell and Frank Foster.
MUSICIANS Drums - Elvin Jones Bass - Dave Williams Guitar - Roland Prince Percussion - Candido (5,7) , Frank Ippolito (1,2,4,5,7) , Guillermo Franco (3,4) Piano - Gene Perla (5,7) , Kenny Barron (1) Reeds - Azar Lawrence (3,4) , Frank Foster (1,2,5) , Steve Grossman Saxophone - Joe Farrell (5,7)
When My Bloody Valentine walked on the stage of feedback-pop, something truly magic was finally created in the realm of psychedelia. The mini-album Ecstasy (1987) explored the ambiguity that would make their mature sound so haunting and devastating: ecstasy and terror were two faces of the same moon, and that moon shone day and night. Daydreaming and nightmare became the same state of mind as guitars enveloped naive melodies and drums smashed vocal harmonies. Isn't Anything (1988) went one step further than Jesus And Mary Chain, in that it renounced punk's violence and harked back to the most dilated forms of acid-rock. Kevin Shields' "shoegazing" guitar fullfilled Jerry Garcia's and Jimi Hendrix' galactic bliss, and helped the sweet litanies grind their way into a transcendental trance. Electronic keyboards joined guitar noise on Loveless (1991), the ultimate exploration of textures in rock music. Its stunning chaos can be viewed both as an enraptured "om" to the universe or as a deranged scream in a madman's cell or as a terrified paralysis in the face of a supernatural force. The album changed the meaning of the word "music" by proving the equivalence between "noisy" and 'symphonic", the same way that Einstein proved the equivalence between inertial and gravitational mass.
Nick Cave & The Bad Seeds - Live The Vorst Nationaal
Brussels, Belgium
May 1, 2008
Audience source @ vbr
I've spent quite some time looking for a higher bitrate version of this show. No luck. This is a really good audience recoding that would probably sound fantastic at 320kbps or flac.
Set List: Night of the Lotus Eaters Dig, Lazarus, Dig!!! Tupelo Today's Lesson Red Right Hand Midnight Man Nobody's Baby Now Deanna Lie Down Here (& Be My Girl) Hold on to Yourself The Ship Song We Call Upon the Author Papa Won't Leave You, Henry More News from Nowhere -audience The Lyre of Orpheus Get Ready for Love Stagger Lee -audience Into My Arms Hard On for Love
Tab Benoit - Live Stubbs BBQ SXSW Showcase March 12, 1997 Austin, TX.
Excellent Audience Source @flac
Tab Benoit is a Cajun man who’s definitely got the blues. Born November 17, 1967, he grew up in Houma, Louisiana. A guitar player since his teenage years, he hung out at the Blues Box, a ramshackle music club and cultural center in nearby Baton Rouge run by guitarist Tabby Thomas. Playing guitar alongside Thomas, Raful Neal, Henry Gray and other high-profile regulars at the club, Benoit learned the blues first-hand from a faculty of living blues legends. The nightly impromptu gigs were enough to inspire Benoit to assemble his own band – a stripped down bass-and-drums unit propelled by his solid guitar skills and leathery, Cajun-spiced vocal attack. He took his show on the road in the early ‘90s and hasn’t stopped since.
Set List: Travelin' South
Heart Of Stone
Ain't Gonna Do It
Too Many Dirty Dishes
band intros
Shake Your Moneymaker
Let Love Take Control
Matchbox Blues
Gone Too Long
Louisiana Style
Crawfishin'
Nice and Warm