Rebooted...
From the Original FBS archives...
From the Original FBS archives...
Originally posted November 27, 2013
Tindersticks were one of the most original and distinctive British acts of the '90s, standing apart from both the British indie scene and the rash of Brit-pop guitar combos that dominated the U.K. charts. Where their contemporaries were often direct and to the point, Tindersticks were obtuse and leisurely, crafting dense, difficult songs layered with literary lyrics, intertwining melodies, mumbling vocals, and gently melancholy orchestrations. Essentially, the group filtered the dark romanticism of Leonard Cohen, Ian Curtis, and Scott Walker as filtered through the bizarre pop songcraft of Lee Hazlewood and the aesthetics of indie rock. Though their music was far from casual listening, Tindersticks gained a dedicated cult following in the mid-'90s, beginning with their eponymous 1993 debut album, which was named Album of the Year by Melody Maker.
~ Stephen Thomas Erlewine, All Music Guide
Tindersticks - Live at Pitchfork
March 6, 2009
New York, NY
Broadcast rip @256
Tindersticks were one of the most original and distinctive British acts of the '90s, standing apart from both the British indie scene and the rash of Brit-pop guitar combos that dominated the U.K. charts. Where their contemporaries were often direct and to the point, Tindersticks were obtuse and leisurely, crafting dense, difficult songs layered with literary lyrics, intertwining melodies, mumbling vocals, and gently melancholy orchestrations. Essentially, the group filtered the dark romanticism of Leonard Cohen, Ian Curtis, and Scott Walker as filtered through the bizarre pop songcraft of Lee Hazlewood and the aesthetics of indie rock. Though their music was far from casual listening, Tindersticks gained a dedicated cult following in the mid-'90s, beginning with their eponymous 1993 debut album, which was named Album of the Year by Melody Maker.
The origins of Tindersticks lay in Asphalt Ribbons, a Nottingham-based indie rock band that featured vocalist Stuart Staples, keyboardist David Boulter, and violinist Dickon Hinchcliffe. All three members formed Tindersticks in 1992; the remaining members included guitarist Neil Fraser, bassist Mark Colwill, and drummer Al Macaulay. In November of 1992, the band released its first single, "Patchwork," on its own label, Tippy Toe. "Marbles" followed early in 1993, as did "A Marriage Made in Heaven," a collaboration with Huggy Bear's Niki Sin that appeared on Rough Trade's Singles Club. Following the release of the Unwired EP on Tippy Toe, the fledgling This Way Up signed the band.
Tindersticks' eponymous debut appeared halfway through 1993, earning rave reviews from most sections of the British press. By the end of the year, the group and the album had won over most of the U.K. critics, and Tindersticks was named Album of the Year by Melody Maker. Tindersticks spent a quiet year in 1994, releasing a single of John Barry's James Bond theme "We Have All the Time in the World" (On Her Majesty's Secret Service), a live album entitled Amsterdam, and a cover of Pavement's "Here." Also that year, Tindersticks was released on Bar/None in the U.S. In the spring of 1995, the group released its untitled second album, which featured cameos from Gallon Drunk's Terry Edwards and the Walkabouts' Carla Torgerson. Like its predecessor, it received rave reviews and appeared on nearly every British Top Ten list of the Best of 1995. In November of 1995, the group released another live album, Bloomsbury Theatre.
Tindersticks were quiet for most of 1996, releasing the soundtrack to the Claire Denis film Nénette et Boni in the fall of the year. The album was comprised of old songs, new songs, and rearranged older material. A new version of "A Marriage Made in Heaven," featuring vocals from actress Isabella Rossellini, was released a few months after Nénette et Boni; the single was later appended to the American release of 1997's Curtains. Their fourth effort, Simple Pleasure (1999), marked the band's most open-hearted release since their inception. A new deal with Beggars Banquet surfaced at the dawn of the new millennium, and a replenished unity within the band was found on 2001's Can Our Love.... Later that year, Tindersticks provided the soundtrack to another Claire Denis film, Trouble Every Day. The proper follow-up to Can Our Love..., Waiting for the Moon, was released in mid-2003. In 2005, Staples embarked on a solo project (fueling rumors of a split) and went on to produce two albums. The rumors were partially true as Hinchcliffe,Colwill, and drummer Macaulay left the group in 2006. The remaining Tindersticks (Staples, Fraser and Boulter) were joined by long-time associate Terry Edwards and a host of musicians in their return to the studio in 2007. The resulting album The Hungry Saw was released in 2008. ~ Stephen Thomas Erlewine, All Music Guide
Track List:
01 - The Hungry Saw (4:28)
02 - Dying Slowly (4:42)
03 - She's Gone (4:37)
04 - Boobar come back to me (4:25)
05 - The Turns We Took (5:46)
06 - Buried Bones (4:02)
07 - My Oblivion (7:38)
08 - Her (3:33)
09 - The Not Knowing (6:21)
10 - My Sister (8:33)
01 - The Hungry Saw (4:28)
02 - Dying Slowly (4:42)
03 - She's Gone (4:37)
04 - Boobar come back to me (4:25)
05 - The Turns We Took (5:46)
06 - Buried Bones (4:02)
07 - My Oblivion (7:38)
08 - Her (3:33)
09 - The Not Knowing (6:21)
10 - My Sister (8:33)
Thanks to the original source!
pass - fbsvw
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